{"id":30001,"date":"2022-07-24T01:46:39","date_gmt":"2022-07-23T18:46:39","guid":{"rendered":"https:\/\/tamhoc.org\/?p=30001"},"modified":"2022-07-24T01:47:33","modified_gmt":"2022-07-23T18:47:33","slug":"tom-tat-152-bai-kinh-song-ngu-anh-viet-bhikhu-bodhi-ni-su-tri-hai-dich","status":"publish","type":"post","link":"https:\/\/tamhoc.org\/trang-chu\/2022\/07\/24\/tom-tat-152-bai-kinh-song-ngu-anh-viet-bhikhu-bodhi-ni-su-tri-hai-dich\/","title":{"rendered":"T\u00f3m t\u1eaft 152 b\u00e0i kinh &#8211; Song ng\u1eef Anh Vi\u1ec7t. Bhikhu Bodhi (Ni s\u01b0 Tr\u00ed H\u1ea3i d\u1ecbch)"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"30001\" class=\"elementor elementor-30001\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8713c01 elementor-section-full_width elementor-section-content-space-around elementor-section-height-default elementor-section-height-default\" data-id=\"8713c01\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7bdd640\" data-id=\"7bdd640\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div 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elementor-element-b620f8a elementor-widget elementor-widget-text-editor\" data-id=\"b620f8a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p><a href=\"https:\/\/tamhoc.org\/kinh-trung-bo-p1\/\">Ph\u1ea7n I<\/a>\u00a0 &#8211;\u00a0 <a href=\"https:\/\/tamhoc.org\/kinh-trung-bo-p2\/\">Ph\u1ea7n II<\/a>\u00a0 &#8211;\u00a0 <a href=\"https:\/\/tamhoc.org\/kinh-trung-bo-nikaya-p3\/\">Ph\u1ea7n III<\/a><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9568c33 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"9568c33\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-753f078\" data-id=\"753f078\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2ca43f5 elementor-widget elementor-widget-text-editor\" data-id=\"2ca43f5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\n<html>\n\n<head>\n<meta http-equiv=\"Content-Type\" content=\"text\/html; charset=utf-8\">\n<meta name=\"GENERATOR\" content=\"Microsoft FrontPage 5.0\">\n<meta name=\"ProgId\" content=\"FrontPage.Editor.Document\">\n<title>Trung Bo Tom tat &#8211; Anh &amp; Viet <\/title>\n<\/head>\n\n<body bgcolor=\"#EDEFD6\" text=\"#000000\" link=\"#0000FF\" vlink=\"#0000FF\">\n\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\">\n  <tr>\n    <td><strong><font color=\"#008000\" size=\"2\" face=\"Times New Roman\">BuddhaSasana \n      <a href=\"..\/index.htm\">Home Page<\/a><\/font><\/strong><\/td>\n    <td>\n      <p align=\"right\"><font color=\"#000080\" size=\"2\" face=\"Times New Roman\">Vietnamese, \n      with <strong>Unicode Times<\/strong> font<\/font><\/td>\n  <\/tr>\n<\/table>\n<hr>\n<center><p><B><FONT SIZE=\"5\" COLOR=\"#800000\">T\u00f3m t\u1eaft Trung B\u1ed9 Kinh<\/FONT><\/B><p>\n<FONT COLOR=\"#800000\"><B>&nbsp; <\/B><\/FONT><\/center>\n<DIV ALIGN=\"center\">\n  <CENTER>\n  <TABLE CELLSPACING=\"0\" CELLPADDING=\"10\" WIDTH=\"700\" BORDER=\"0\" STYLE=\"border-collapse: collapse\" BORDERCOLOR=\"#111111\">\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><B>\n      <FONT SIZE=\"4\" COLOR=\"#7f0000\">\n      <P ALIGN=\"CENTER\">Summary of the Majjhima Nikaya<\/FONT><FONT COLOR=\"#7f0000\"><BR>\n      Bhikkhu Bodhi<\/FONT><\/B><\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B>\n      <FONT SIZE=\"4\" COLOR=\"#00007f\">\n      <P ALIGN=\"CENTER\">T\u00f3m t\u1eaft Trung B\u1ed9 Kinh<\/FONT><FONT COLOR=\"#00007f\"><BR>\n      Ni s\u01b0 Th\u00edch N\u1eef Tr\u00ed H\u1ea3i d\u1ecbch<\/FONT><\/B><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>1. M\u00f9lapariy\u00e0ya Sutta &#8211; The root of all things<\/B><\/FONT>.<P>The Buddha \n      analyses the cognitive processes of four types of individuals &#8211; the \n      untaught ordinary person, the disciple in higher training, the arahant and \n      the Tath\u00e0gata. This is one of the deepest and most difficult suttas in the \n      Pali Canon, and it is therefore suggested that the earnest student read it \n      only in a cursory manner on a first reading of the Majjhima Nik\u00e0ya, \n      returning to it for an in-depth study after completing the entire \n      collection.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      G\u1ed1c r\u1ec5 c\u1ee7a v\u1ea1n ph\u00e1p.<\/B><\/FONT><P>Ph\u1eadt ph\u00e2n t\u00edch ti\u1ebfn tr\u00ecnh nh\u1eadn th\u1ee9c c\u1ee7a \n      b\u1ed1n h\u1ea1ng ng\u01b0\u1eddi: ph\u00e0m phu ch\u01b0a nghe ph\u00e1p, b\u1eadc h\u1eefu h\u1ecdc, A la h\u00e1n v\u00e0 Nh\u01b0 lai. \n      Kinh n\u00e0y l\u00e0 m\u1ed9t trong nh\u1eefng kinh s\u00e2u s\u1eafc v\u00e0 kh\u00f3 hi\u1ec3u nh\u1ea5t trong t\u1ea1ng kinh \n      Pali, b\u1edfi th\u1ebf <FONT FACE=\"Times New Roman\">\u0111\u1ec1 ngh\u1ecb h\u1ecdc gi\u1ea3 nghi<\/FONT>\u00eam \n      t\u00fac sau khi <FONT FACE=\"Times New Roman\">\u0111\u1ecdc qua m\u1ed9t l\u1ea7n \u0111\u1ea7u, h<\/FONT>\u00e3y\n      <FONT FACE=\"Times New Roman\">\u0111\u1ecdc tr\u1edf l\u1ea1i kinh n<\/FONT>\u00e0y khi\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 xem tr\u1ecdn 152 kinh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>2. S\u00e0bb\u00e0sava Sutta &#8211; All the taints<\/B><\/FONT>.<P>The Buddha teaches \n      the Bhikkhus seven methods for restraining and abandoning the taints, the \n      fundamental defilements that maintain bondage to the round of birth and \n      death.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      T\u1ea5t c\u1ea3 nhi\u1ec5m \u00f4<\/B><\/FONT>.<P>Ph\u1eadt d\u1ea1y c\u00e1c t\u1ef7 kheo b\u1ea3y ph\u01b0\u01a1ng ph\u00e1p\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 ch\u1ebf ng\u1ef1 v<\/FONT>\u00e0 t\u1eeb b\u1ecf \u00f4 nhi\u1ec5m, t\u1ee9c nh\u1eefng \n      phi\u1ec1n n\u00e3o c<FONT FACE=\"Times New Roman\">\u0103n b\u1ea3n c\u1ee9 ti\u1ebfp t\u1ee5c tr\u00f3i bu\u1ed9c con \n      ng\u01b0\u1eddi v<\/FONT>\u00e0o chu k\u1ef3 sinh t\u1eed.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>3. Dhammad\u00e0y\u00e0da Sutta &#8211; Heir in the dhamma<\/B><\/FONT>.<P>The Buddha \n      enjoins the Bhikkhus to be heirs in the Dhamma, not heirs in material \n      things. The venerable S\u00e0riputta then continues on the same theme by \n      explaining how disciples should train themselves to become the Buddh\u00e1s \n      heir in the Dhamma.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Nh\u1eefng ng\u01b0\u1eddi th\u1eeba k\u1ebf Ch\u00ednh ph\u00e1p<\/B><\/FONT>.<P>Ph\u1eadt khuy\u1ebfn kh\u00edch ch\u01b0 t\u1ef3 kheo \n      h\u00e3y l\u00e0 nh\u1eefng ng\u01b0\u1eddi th\u1eeba h\u01b0\u1edfng gia t\u00e0i Ph\u00e1p c\u1ee7a Ng\u00e0i ch\u1ee9 kh\u00f4ng ph\u1ea3i th\u1eeba \n      h\u01b0\u1edfng c\u1ee7a c\u1ea3i v\u1eadt ch\u1ea5t. Sau <FONT FACE=\"Times New Roman\">\u0111\u00f3 t\u00f4n gi\u1ea3 X\u00e1 l\u1ee3i \n      ph\u1ea5t ti\u1ebfp t\u1ee5c \u0111\u1ec1 t<\/FONT>\u00e0i n\u00e0y b\u1eb1ng c\u00e1ch gi\u1ea3i th\u00edch l\u00e0m th\u1ebf n\u00e0o c\u00e1c\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed c\u1ea7n ph\u1ea3i tu t\u1eadp \u0111\u1ec3 tr\u1edf th<\/FONT>\u00e0nh \n      nh\u1eefng v\u1ecb th\u1eeba k\u1ebf c\u1ee7a Ph\u1eadt trong l\u0129nh v\u1ef1c Ph\u00e1p.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>4. Bhayabherava Sutta &#8211; Fear and dread<\/B><\/FONT>.<P>The Buddha \n      describes to a bradhmin the qualities required of a monk who wishes to \n      live alone in the forest. He then relates an account of his own attempts \n      to conquer fear when striving for enlightenment.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">S\u1ee3 \n      h\u00e3i v\u00e0 khi\u1ebfp <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ea3m<\/FONT><\/B><P>\n      Ph\u1eadt m\u00f4 t\u1ea3 cho m\u1ed9t b\u00e0 la m\u00f4n bi\u1ebft nh\u1eefng <FONT FACE=\"Times New Roman\">\u0111\u1ee9c \n      t\u00ednh c\u1ea7n thi\u1ebft m<\/FONT>\u00e0 m\u1ed9t t\u1ef3 kheo ph\u1ea3i h\u1ed9i <FONT FACE=\"Times New Roman\">\n      \u0111\u1ee7 n\u1ebfu mu\u1ed1n s\u1ed1ng \u0111\u1ed9c c\u01b0 \u1edf r\u1eebng n\u00fai. R\u1ed3i Ng<\/FONT>\u00e0i k\u1ec3 l\u1ea1i c\u00e1ch Ng\u00e0i chinh \n      ph\u1ee5c s\u1ef1 s\u1ee3 h\u00e3i khi Ng\u00e0i <FONT FACE=\"Times New Roman\">\u0111ang c<\/FONT>\u00f2n n\u1ed7 \n      l\u1ef1c <FONT FACE=\"Times New Roman\">\u0111\u1ec3 \u0111\u1ea1t gi\u00e1c ng\u1ed9.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>5. Anangana Sutta &#8211; Without blemishes<\/B><\/FONT>.<P>The venerable \n      S\u00e0riputta gives a discourse to the Bhikkhus on the meaning of blemishes, \n      explaining that a bhikkhus becomes blemished when he falls under the sway \n      of evil wishes<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Kh\u00f4ng l\u1ed7i l\u1ea7m<\/B><\/FONT>.<P>T\u00f4n gi\u1ea3 X\u00e1 l\u1ee3i ph\u1ea5t gi\u1ea3ng cho c\u00e1c t\u1ef3 kheo \u00fd \n      ngh\u0129a c\u1ee7a c\u1ea5u u\u1ebf &#8211; hay l\u1ed7i l\u1ea7m &#8211; gi\u1ea3i th\u00edch r\u1eb1ng m\u1ed9t t\u1ef3 kheo c\u00f3 l\u1ed7i khi v\u1ecb \n      \u1ea5y b\u1ecb thao t\u00fang b\u1edfi nh\u1eefng \u01b0\u1edbc mu\u1ed1n x\u1ea5u.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>6. \u00c0kankheyya Sutta &#8211; If a bhikkhu wish<\/B><\/FONT>.<P>The Buddha begins \n      by stressing the importance of virtue as the foundation for a bhikkhu\u2019s \n      training; he then goes on to enumerate the benefits that a bhikkhu can \n      reap by properly fulfilling the training.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>T\u1ef3 \n      kheo n\u00ean c\u1ea7u mong nh\u1eefng g\u00ec<\/B><\/FONT>.<P>M\u1edf <FONT FACE=\"Times New Roman\">\n      \u0111\u1ea7u, Ph\u1eadt nh\u1ea5n m\u1ea1nh t\u1ea7m quan tr\u1ecdng c\u1ee7a gi\u1edbi, n\u1ec1n t\u1ea3ng vi\u1ec7c tu t\u1eadp c\u1ee7a m\u1ed9t \n      t\u1ef3 kheo. K\u1ebf \u0111\u1ebfn Ng<\/FONT>\u00e0i k\u1ec3 ra nh\u1eefng l\u1ee3i l\u1ea1c m\u00e0 m\u1ed9t t\u1ef3 kheo c\u00f3 th\u1ec3 g\u1eb7t \n      h\u00e1i <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c nh\u1edd vi<\/FONT>\u00ean m\u00e3n c\u00e1c h\u1ecdc gi\u1edbi.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>7. Vatth\u00f9pama Sutta &#8211; The simile of the cloth<\/B><\/FONT>.<P>With a \n      simple simile the Buddha illustrates the difference between a defiled mind \n      and a pure mind. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>V\u00ed \n      d\u1ee5 t\u1ea5m v\u1ea3i<\/B><\/FONT><P>B\u1eb1ng m\u1ed9t v\u00ed d\u1ee5 <FONT FACE=\"Times New Roman\">\u0111\u01a1n \n      gi\u1ea3n, Ph\u1eadt n\u00f3i r<\/FONT>\u00f5 s\u1ef1 kh\u00e1c nhau gi\u1eefa m\u1ed9t t\u00e2m \u00f4 nhi\u1ec5m v\u00e0 m\u1ed9t t\u00e2m \n      thanh t\u1ecbnh. <\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>8. Sallekha Sutta &#8211; Effacement<\/B><\/FONT>.<P>The Buddha rejects the \n      view that the mere attainment of the mediative absorptions is effacement \n      and explains how effacement is properly practised in his teaching.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\">\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\"><B>\u0110o\u1ea1n gi\u1ea3m (Vi\u1ec5n ly)<\/B><\/FONT>.<P>\n      Ph\u1eadt b\u00e1c b\u1ecf quan <FONT FACE=\"Times New Roman\">\u0111i\u1ec3m cho r\u1eb1ng ch\u1ee9ng \u0111\u1eafc c\u00e1c \n      thi\u1ec1n \u0111<\/FONT>\u00e3 l\u00e0 vi\u1ec5n ly [hay <FONT FACE=\"Times New Roman\">\u0111o\u1ea1n gi\u1ea3m], v<\/FONT>\u00e0 \n      gi\u1ea3i th\u00edch c\u00e1ch tu t\u1eadp <FONT FACE=\"Times New Roman\">\u0111o\u1ea1n gi\u1ea3m [\u0111\u1ecdan phi\u1ec1n \n      n<\/FONT>\u00e3o, gi\u1ea3m v\u00f4 minh] th\u1ef1c s\u1ef1 trong gi\u00e1o l\u00fd Ng\u00e0i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>9. Samm\u00e0ditthi Sutta &#8211; Right view<\/B><\/FONT>.<P>A long and important \n      discourse by the venerable S\u00e0riputta, with separate sections on the \n      wholesome and unwholesome, nutriment, the four Noble Truths, the twelve \n      factors of dependent origination, and the taints.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Ch\u00e1nh tri ki\u1ebfn<\/B><\/FONT>.<P>M\u1ed9t b\u1ea3n kinh d\u00e0i v\u00e0 quan tr\u1ecdng do t\u00f4n gi\u1ea3 X\u00e1 \n      l\u1ee3i ph\u1ea5t thuy\u1ebft gi\u1ea3ng, v\u1edbi nhi\u1ec1u <FONT FACE=\"Times New Roman\">\u0111o\u1ea1n t\u00e1ch \n      bi\u1ec7t n\u00f3i v\u1ec1 thi\u1ec7n v<\/FONT>\u00e0 b\u1ea5t thi\u1ec7n, v\u1ec1 th\u1ee9c\n      <FONT FACE=\"Times New Roman\">\u0103n, v\u1ec1 B\u1ed1n ch\u00e2n l\u00fd cao c\u1ea3, v\u1ec1 12 nh\u00e2n duy<\/FONT>\u00ean \n      v\u00e0 c\u00e1c \u00f4 nhi\u1ec5m.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>10. Satipatth\u00e0na Sutta &#8211; The foundations of mindfullness<\/B><\/FONT>.<P>\n      This is one of the fullest and most important suttas by the Buddha dealing \n      with meditation, with particular emphasis on the development of insight. \n      The Buddha begins by declaring the four foundations of mindfullness to be \n      the direct path for the realisation of Nibb\u00e0na, then gives detailed \n      instructions on the four foundations: the contemplation of the body, \n      feelings, mind and mind objects.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      N\u1ec1n t\u1ea3ng c\u1ee7a ch\u00ednh ni\u1ec7m<\/B><\/FONT>.<FONT FACE=\"Times New Roman\"><P>\u0110\u00e2y l<\/FONT>\u00e0 \n      m\u1ed9t trong nh\u1eefng kinh quan tr\u1ecdng v\u00e0 <FONT FACE=\"Times New Roman\">\u0111\u1ea7y \u0111\u1ee7 \n      nh\u1ea5t m<\/FONT>\u00e0 Ph\u1eadt d\u1ea1y v\u1ec1 thi\u1ec1n, <FONT FACE=\"Times New Roman\">\u0111\u1eb7c bi\u1ec7t \n      nh\u1ea5n m\u1ea1nh s\u1ef1 ph\u00e1t tri\u1ec3n tu\u1ec7 qu\u00e1n. Kh\u1edfi \u0111\u1ea7u, Ph\u1eadt tuy<\/FONT>\u00ean b\u1ed1 b\u1ed1n ni\u1ec7m \n      x\u1ee9 l\u00e0 con <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1eddng th\u1eb3ng t\u1eaft \u0111\u1ec3 th\u1ef1c ch\u1ee9ng ni\u1ebft \n      b<\/FONT>\u00e0n. Sau <FONT FACE=\"Times New Roman\">\u0111\u00f3 Ng<\/FONT>\u00e0i ch\u1ec9 d\u1ea1y chi \n      ti\u1ebft v\u1ec1 b\u1ed1n ni\u1ec7m x\u1ee9 l\u00e0 qu\u00e1n th\u00e2n, c\u1ea3m th\u1ecd, t\u00e2m v\u00e0 c\u00e1c ph\u00e1p\n      <FONT FACE=\"Times New Roman\">\u0111\u1ed1i t\u01b0\u1ee3ng c\u1ee7a t\u00e2m.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>11. C\u00f9las\u00echan\u00e0da Sutta &#8211; The shorter discourse on the Lion&#39;s roar<\/B><\/FONT>.<P>\n      The Buddha declares that only in his Dispensation can the four grades of \n      noble individuals be found, explaining how his teaching can be \n      distinguished from other creeds through its unique rejection of all \n      doctrines of self.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn n\u00f3i v\u1ec1 ti\u1ebfng r\u1ed1ng s\u01b0 t\u1eed<\/B><\/FONT>.<P>Ph\u1eadt tuy\u00ean b\u1ed1, ch\u1ec9 \n      trong Gi\u00e1o ph\u00e1p Ng\u00e0i m\u1edbi c\u00f3 th\u1ec3 t\u00ecm th\u1ea5y b\u1ed1n c\u1ea5p b\u1ef1c th\u00e1nh ch\u00fang, v\u00e0 gi\u1ea3i \n      th\u00edch gi\u00e1o l\u00fd Ng\u00e0i kh\u00e1c v\u1edbi c\u00e1c t\u00f4n gi\u00e1o kh\u00e1c \u1edf ch\u1ed7\n      <FONT FACE=\"Times New Roman\">\u0111\u1ed9c \u0111\u00e1o ph\u1ee7 nh\u1eadn t\u1ea5t c\u1ea3 ki\u1ebfn ch\u1ea5p v\u1ec1 b\u1ea3n ng<\/FONT>\u00e3 \n      nh\u01b0 th\u1ebf n\u00e0o.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>12. Mah\u00e0s\u00echan\u00e0da Sutta &#8211; The greater discourse on the lion&#39;s roar<\/B><\/FONT>.<P>\n      The Buddha expounds the ten powers of a Tath\u00e0gata, his four kinds of \n      intrepidity, and other superior qualities which entitle Him to &quot;roar his \n      lion&#39;s roar in the assemblies&quot;. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh d\u00e0i n\u00f3i v\u1ec1 ti\u1ebfng r\u1ed1ng s\u01b0 t\u1eed<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3ng v\u1ec1 M\u01b0\u1eddi l\u1ef1c \n      c\u1ee7a m\u1ed9t <FONT FACE=\"Times New Roman\">\u0111\u1ee9c Nh\u01b0 lai, B\u1ed1n v\u00f4 \u00fay v<\/FONT>\u00e0 \n      nh\u1eefng <FONT FACE=\"Times New Roman\">\u0111\u1ee9c th<\/FONT>\u00f9 th\u1eafng kh\u00e1c; nh\u1edd\n      <FONT FACE=\"Times New Roman\">\u0111\u00f3 Ng<\/FONT>\u00e0i <FONT FACE=\"Times New Roman\">\n      \u0111\u1ee7 t\u01b0 c\u00e1ch &quot;r\u1ed1ng ti\u1ebfng r\u1ed1ng s\u01b0 t\u1eed&quot; trong c\u00e1c h\u1ed9i ch\u00fang. <\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>13. Mah\u00e0dukkhakkhanda Sutta &#8211; The greater discourse on the mass of \n      suffering<\/B><\/FONT>.<P>The Buddha explains the full understanding of \n      sensual pleasures, material form, and feelings; there is a long section on \n      the dangers in sensual pleasures.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh d\u00e0i n\u00f3i v\u1ec1 <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\n      \u0111\u1ed1ng kh\u1ed5<\/FONT><\/B>.<P>Ph\u1eadt gi\u1ea3i th\u00edch s\u1ef1 li\u1ec5u tri c\u00e1c kho\u00e1i l\u1ea1c gi\u00e1c \n      quan, li\u1ec5u tri s\u1eafc v\u00e0 th\u1ecd; c\u00f3 m\u1ed9t <FONT FACE=\"Times New Roman\">\u0111o\u1ea1n r\u1ea5t d<\/FONT>\u00e0i \n      n\u00f3i v\u1ec1 nh\u1eefng nguy hi\u1ec3m c\u1ee7a d\u1ee5c l\u1ea1c.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>14. C\u00f9ladukkhakkhandha Sutta &#8211; The shorter discourse on the mass of \n      suffering<\/B><\/FONT>.<P>A variation of the preceding, ending in a \n      discussion with Jain ascetics on the nature of pleasure and pain.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh ng\u1eafn v\u1ec1 <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ed1ng \n      kh\u1ed5<\/FONT><\/B>.<P>M\u1ed9t d\u1ea1ng nh\u01b0 kinh s\u1ed1 13, k\u1ebft th\u00fac b\u1eb1ng m\u1ed9t cu\u1ed9c\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e0m lu\u1eadn v\u1edbi nh\u1eefng ng\u01b0\u1eddi K\u1ef3 na gi\u00e1o tu \n      kh\u1ed5 h\u1ea1nh, v\u1ec1 b\u1ea3n ch\u1ea5t c\u1ee7a l\u1ea1c v\u00e0 kh\u1ed5.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>15. Anum\u00e0na Sutta &#8211; Inference<\/B><\/FONT>.<P>The venerable \n      Mah\u00e0moggall\u00e0na enumerates the qualities that make a bhikkhu difficult to \n      admonish and teaches how one should examine oneself to remove the defects \n      in on\u00e9s character.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>T\u01b0 \n      L\u01b0\u1ee3ng (Suy di\u1ec5n)<\/B><\/FONT>.<P>T\u00f4n gi\u1ea3 M\u1ee5c ki\u1ec1n li\u00ean k\u1ec3 ra nh\u1eefng\n      <FONT FACE=\"Times New Roman\">\u0111\u1eb7c t\u00ednh l<\/FONT>\u00e0m cho m\u1ed9t t\u1ef3 kheo tr\u1edf th\u00e0nh \n      k\u1ebb kh\u00f3 n\u00f3i, v\u00e0 d\u1ea1y ng\u01b0\u1eddi ta n\u00ean t\u1ef1 x\u00e9t nh\u01b0 th\u1ebf n\u00e0o\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 t\u1ea9y tr\u1eeb nh\u1eefng khuy\u1ebft \u0111i\u1ec3m trong nh\u00e2n c\u00e1ch \n      m<\/FONT>\u00ecnh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>16. Cetokhila Sutta &#8211; The wilderness in the heart<\/B><\/FONT>.<P>The \n      Buddha explains to the bhikkhus the five &quot;wilderness in the heart&quot; and the \n      five &quot;shackles in the heart&quot;.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      R\u1eebng hoang trong t\u00e2m<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3ng cho c\u00e1c t\u1ef3 kheo &quot;n<FONT FACE=\"Times New Roman\">\u0103m \n      hoang d<\/FONT>\u00e3 trong t\u00e2m&quot; v\u00e0 &quot;n<FONT FACE=\"Times New Roman\">\u0103m xi\u1ec1ng x\u00edch \n      trong t\u00e2m&quot;.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>17. Vanapattha Sutta &#8211; Jungle thickets<\/B><\/FONT>.<P>A discourse on the \n      conditions under which a meditative monk should remain living in a jungle \n      thicket and the conditions under which he should go elsewhere.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Khu r\u1eebng r\u1eadm<\/B><\/FONT><P>M\u1ed9t b\u00e0i gi\u1ea3ng v\u1ec1 nh\u1eefng\n      <FONT FACE=\"Times New Roman\">\u0111i\u1ec1u ki\u1ec7n n<\/FONT>\u00e0o m\u1ed9t t\u1ef3 kheo thi\u1ec1n\n      <FONT FACE=\"Times New Roman\">\u0111\u1ecbnh n<\/FONT>\u00ean ti\u1ebfp t\u1ee5c s\u1ed1ng t\u1ea1i m\u1ed9t khu \n      r\u1eebng, <FONT FACE=\"Times New Roman\">\u0111i\u1ec1u ki\u1ec7n n<\/FONT>\u00e0o n\u00ean b\u1ecf\n      <FONT FACE=\"Times New Roman\">\u0111i ch\u1ed7 kh\u00e1c.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>18. Madhupinkika Sutta &#8211; The honey ball<\/B><\/FONT>.<P>The Buddha utters \n      a deep but enigmatic statement about &quot;the source through which perceptions \n      and notions tinged by mental proliferation beset a man.&quot; This statement is \n      elucidated by the venerable Mahakacc\u00e0na, whose explanation is praised by \n      the Buddha.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Vi\u00ean m\u1eadt<\/B><\/FONT>.<P>Ph\u1eadt th\u1ed1t l\u00ean m\u1ed9t l\u1eddi ph\u00e1t bi\u1ec3u s\u00e2u s\u1eafc nh\u01b0ng kh\u00f3 \n      hi\u1ec3u v\u1ec1 &quot;c\u00e1i ngu\u1ed3n g\u1ed1c t\u1eeb <FONT FACE=\"Times New Roman\">\u0111\u1ea5y c\u00e1c nh\u1eadn th\u1ee9c v<\/FONT>\u00e0 \n      quan ni\u1ec7m <FONT FACE=\"Times New Roman\">\u0111\u1ea7y thi<\/FONT>\u00ean ki\u1ebfn \u00e1m \u1ea3nh m\u1ed9t \n      con ng\u01b0\u1eddi.&quot; L\u1eddi ph\u00e1t bi\u1ec3u \u1ea5y <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c t\u00f4n gi\u1ea3 \u0110\u1ea1i \n      Ca chi<\/FONT>\u00ean di\u00ean l\u00e0m s\u00e1ng t\u1ecf, v\u00e0 s\u1ef1 gi\u1ea3i th\u00edch c\u1ee7a t\u00f4n gi\u1ea3\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c Ph\u1eadt khen ng\u1ee3i.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>19. Dvedh\u00e0vitakka Sutta &#8211; Two kinds of thought<\/B><\/FONT>.<P>With \n      reference to his own struggle for enlightenment, the Buddha explains the \n      way to overcome unwholesome thoughts and replace them by wholesome \n      thoughts. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Hai lo\u1ea1i t\u01b0 duy<\/B><\/FONT>.<P>Nh\u1eafc l\u1ea1i th\u1eddi Ng\u00e0i c\u00f2n ph\u1ea5n\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea5u \u0111\u1ec3 \u0111\u1ea1t gi\u00e1c ng\u1ed9, Ph\u1eadt gi\u1ea3i th\u00edch c\u00e1ch \n      v\u01b0\u1ee3t qua nh\u1eefng t\u01b0 duy b\u1ea5t thi\u1ec7n v<\/FONT>\u00e0 thay th\u1ebf ch\u00fang b\u1eb1ng nh\u1eefng t\u01b0 \n      t\u01b0\u1edfng t\u1ed1t l\u00e0nh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>20. Vitakkasanth\u00e0na Sutta &#8211; The removal of distracting thoughts<\/B><\/FONT>.<P>\n      The Buddha teaches five methods for dealing with the unwholesome thoughts \n      that may arise in the course of meditation. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>An \n      tr\u00fa t\u1ea7m (S\u1ef1 t\u1ea9y tr\u1eeb lo\u1ea1n t\u01b0\u1edfng)<\/B><\/FONT>.<P>Ph\u1eadt d\u1ea1y n<FONT FACE=\"Times New Roman\">\u0103m \n      ph\u01b0\u01a1ng ph\u00e1p \u0111\u1ec3 \u0111\u1ed1i tr\u1ecb nh\u1eefng b\u1ea5t thi\u1ec7n t\u1ea7m c\u00f3 th\u1ec3 kh\u1edfi l<\/FONT>\u00ean trong \n      khi thi\u1ec1n <FONT FACE=\"Times New Roman\">\u0111\u1ecbnh.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>21. Kakac\u00f9pama Sutta &#8211; The simile of the saw.<\/B><\/FONT><P>A discourse \n      on the need to maintain patience when addressed with disagreeable words.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>V\u00ed \n      d\u1ee5 v\u1ec1 c\u00e1i c\u01b0a.<\/B><\/FONT><P>B\u00e0i kinh v\u1ec1 s\u1ef1 c\u1ea7n thi\u1ebft ph\u1ea3i kham nh\u1eabn khi b\u1ecb \n      n\u00f3i nh\u1eefng l\u1eddi kh\u00f3 ch\u1ecbu.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>22. Alaggad\u00f9pama Sutta &#8211; The simile of the snake.<\/B><\/FONT><P>A \n      bhikkhu named Arittha gives rise to a pernicious view that conduct \n      prohibited by the Buddha is not really an obstruction. The Buddha \n      reprimands him and, with a series of memorable similes, stresses the \n      dangers in misapplying and misrepresenting the Dhamma. The sutta \n      culminates in one of the most impressive disquisitions on non-self found \n      in the Canon.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>V\u00ed \n      d\u1ee5 con r\u1eafn<\/B><\/FONT><P>M\u1ed9t t\u1ef3 kheo t\u00ean Arittha kh\u1edfi l\u00ean t\u00e0 ki\u1ebfn cho r\u1eb1ng \n      h\u00e0nh vi m\u00e0 Ph\u1eadt c\u1ea5m th\u1ef1c s\u1ef1 kh\u00f4ng ph\u1ea3i l\u00e0 ch\u01b0\u1edbng ng\u1ea1i (cho gi\u1ea3i tho\u00e1t). \n      Ph\u1eadt qu\u1edf tr\u00e1ch \u00f4ng, v\u00e0 n\u00f3i nhi\u1ec1u v\u1edbi nhi\u1ec1u v\u00ed d\u1ee5\n      <FONT FACE=\"Times New Roman\">\u0111\u00e1ng nh\u1edb, Ng<\/FONT>\u00e0i nh\u1ea5n m\u1ea1nh nh\u1eefng nguy \n      hi\u1ec3m c\u1ee7a vi\u1ec7c \u00e1p d\u1ee5ng sai v\u00e0 gi\u1ea3i th\u00edch Ph\u00e1p m\u1ed9t c\u00e1ch sai l\u1ea1c. Cao\n      <FONT FACE=\"Times New Roman\">\u0111i\u1ec3m kinh n<\/FONT>\u00e0y l\u00e0 m\u1ed9t trong nh\u1eefng thi\u00ean \n      tr\u01b0\u1eddng lu\u1eadn kh\u1edfi s\u1eafc nh\u1ea5t v\u1ec1 v\u00f4 ng\u00e3 <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c th\u1ea5y \n      trong Kinh t\u1ea1ng.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>23. Vammika Sutta &#8211; The ant-hill.<\/B><\/FONT><P>A deity presents a monk \n      with an obscure riddle, which is unravelled for him by the Buddha.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>G\u00f2 \n      m\u1ed1i<\/B><\/FONT><P>M\u1ed9t v\u1ecb tr\u1eddi <FONT FACE=\"Times New Roman\">\u0111\u1eb7t cho m\u1ed9t t\u1ef3 \n      kheo m\u1ed9t c\u00e2u \u0111\u1ed1 b\u00ed hi\u1ec3m, \u0111\u01b0\u1ee3c Ph\u1eadt gi\u1ea3i th\u00edch.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>24. Rathaviv\u00f9ta Sutta &#8211; The relay chariots.<\/B><\/FONT><P>The venerable \n      Punna Mant\u00e0niputta explains to S\u00e0riputta that the goal of the holy life, \n      final Nibb\u00e0na, is to be reached by way of the seven stages of \n      purification.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Nh\u1eefng c\u1ed7 xe ti\u1ebfp v\u1eadn.<\/B><\/FONT><P>T\u00f4n gi\u1ea3 Ph\u00fa l\u00e2u na gi\u1ea3i th\u00edch cho X\u00e1 \n      l\u1ee3i ph\u1ea5t bi\u1ebft r\u1eb1ng ni\u1ebft b\u00e0n, m\u1ee5c ti\u00eau c\u1ee7a <FONT FACE=\"Times New Roman\">\u0111\u1eddi \n      s\u1ed1ng ph\u1ea1m h\u1ea1nh, \u0111\u01b0\u1ee3c \u0111\u1ea1t \u0111\u1ebfn l<\/FONT>\u00e0 nh\u1edd b\u1ea3y giai\n      <FONT FACE=\"Times New Roman\">\u0111o\u1ea1n thanh t\u1ecbnh.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>25. Niv\u00e0pa Sutta &#8211; The bait.<\/B><\/FONT><P>The Buddha uses the analogy \n      of deer &#8211; trappers to make known to the Bhikkhus the obstacles that \n      confront them in their effort to escape from Mara&#39;s control.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Mi\u1ebfng m\u1ed3i.<\/B><\/FONT><P>Ph\u1eadt d\u00f9ng v\u00ed d\u1ee5 nh\u1eefng th\u1ee3 b\u1eaby nai\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 hi\u1ec3n th\u1ecb cho t\u1ef3 kheo nh\u1eefng ch\u01b0\u1edbng ng\u1ea1i h\u1ecd \n      g\u1eb7p ph\u1ea3i trong khi n\u1ed7 l\u1ef1c tho\u00e1t kh\u1ecfi s\u1ef1 kh\u1ed1ng ch\u1ebf c\u1ee7a ma v\u01b0\u01a1ng.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>26. Ariyapariyesana Sutta &#8211; The noble search.<\/B><\/FONT><P>The Buddha \n      gives the Bhikkhus a long account of his own quest for enlightenment from \n      the time of his life in the palace up to his transmission of the Dhamma to \n      his first five disciples.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>S\u1ef1 \n      t\u1ea7m c\u1ea7u cao th\u01b0\u1ee3ng.<\/B><\/FONT><P>Ph\u1eadt k\u1ec3 cho ch\u00fang t\u1ef3 kheo v\u1ec1 s\u1ef1 t\u1ea7m c\u1ea7u \n      gi\u00e1c ng\u1ed9 trong <FONT FACE=\"Times New Roman\">\u0111\u1eddi Ng<\/FONT>\u00e0i, t\u1eeb khi c\u00f2n \u1edf \n      trong cung <FONT FACE=\"Times New Roman\">\u0111i\u1ec7n cho \u0111\u1ebfn khi truy\u1ec1n Ph\u00e1p cho \n      n\u0103m \u0111\u1ec7 t\u1eed \u0111\u1ea7u ti<\/FONT>\u00ean.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>27. C\u00f9lahatthipadopama Sutta &#8211; The shorter discourse on the simile of \n      the elephant&#39;s footprint.<\/B><\/FONT><P>Using the analogy of a woodsman \n      tracking down a big bull elephant, the Buddha explains how a disciple \n      arrives at complete certainty of the truth of his teaching. The sutta \n      presents a full account of the step by step training of the Buddhist monk.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn v\u1ec1 v\u00ed d\u1ee5 d\u1ea5u ch\u00e2n voi.<\/B><\/FONT><P>Ph\u1eadt l\u1ea5y h\u00ecnh \u1ea3nh ng\u01b0\u1eddi \n      th\u1ee3 r\u1eebng theo d\u1ea5u m\u1ed9t con voi l\u1edbn <FONT FACE=\"Times New Roman\">\u0111\u1ec3 gi\u1ea3i \n      th\u00edch l<\/FONT>\u00e0m c\u00e1ch n\u00e0o <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed \u0111\u1ea1t \u0111\u1ebfn s\u1ef1 \n      x\u00e1c t\u00edn ho<\/FONT>\u00e0n to\u00e0n <FONT FACE=\"Times New Roman\">\u0111\u1ed1i v\u1edbi ch\u00e2n l\u00fd Ng<\/FONT>\u00e0i \n      d\u1ea1y.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>28. Mah\u00e0hatthipadopama sutta &#8211; The greater discourse on the simile of \n      the elephant&#39;s footprint.<\/B><\/FONT><P>The venerable S\u00e0riputta begins with \n      a statement of the four noble truths, which he then expounds by way of the \n      contemplation of the four elements and the dependent origination of the \n      five aggregates.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh d\u00e0i v\u1ec1 v\u00ed d\u1ee5 d\u1ea5u ch\u00e2n voi.<\/B><\/FONT><P>T\u00f4n gi\u1ea3 X\u00e1 l\u1ee3i ph\u1ea5t kh\u1edfi\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea7u b\u1eb1ng tuy<\/FONT>\u00ean b\u1ed1 v\u1ec1 B\u1ed1n ch\u00e2n l\u00fd, r\u1ed3i \n      gi\u1ea3ng gi\u1ea3i b\u1ed1n ch\u00e2n l\u00fd qua ph\u00e1p qu\u00e1n b\u1ed1n <FONT FACE=\"Times New Roman\">\u0111\u1ea1i \n      ch\u1ee7ng v<\/FONT>\u00e0 l\u00fd duy\u00ean kh\u1edfi v\u1ec1 n<FONT FACE=\"Times New Roman\">\u0103m u\u1ea9n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>29-30. Mah\u00e0s\u00e0ropama &amp; C\u00f9las\u00e0ropama Suttas &#8211; The greater and shorter \n      discourse on the simile of the heartwood.<\/B><\/FONT><P>These two \n      discourses emphasize that the proper goal of the holy life is the \n      unshakable deliverance of the mind, to which all other benefits are \n      subsidiary.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      Th\u00ed d\u1ee5 l\u00f5i c\u00e2y (<\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ea1i \n      kinh v<\/FONT><FONT COLOR=\"#00007f\">\u00e0 ti\u1ec3u kinh)<\/FONT><\/B><P>C\u1ea3 hai kinh \n      n\u00e0y nh\u1ea5n m\u1ea1nh r\u1eb1ng m\u1ee5c <FONT FACE=\"Times New Roman\">\u0111\u00edch ch\u00ednh c\u1ee7a \u0111\u1eddi \n      s\u1ed1ng ph\u1ea1m h\u1ea1nh l<\/FONT>\u00e0 t\u00e2m gi\u1ea3i tho\u00e1t b\u1ea5t <FONT FACE=\"Times New Roman\">\n      \u0111\u1ed9ng, \u0111\u1ed1i v\u1edbi m\u1ee5c \u0111\u00edch n<\/FONT>\u00e0y th\u00ec t\u1ea5t c\u1ea3 nh\u1eefng l\u1ee3i l\u1ea1c kh\u00e1c ch\u1ec9 l\u00e0 c\u1eb7n \n      b\u00e3.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>31. C\u00f9lagosinga Sutta &#8211; The shorter discourse in Gosinga<\/B><\/FONT>.<P>\n      The Buddha meets three bhikkhus who are living in the concord, &quot;blending \n      like milk and water&quot;, and inquires how they succeed in living together so \n      harmoniously.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn t\u1ea1i r\u1eebng Gosinga (S\u1eebng b\u00f2)<\/B><\/FONT>.<P>Ph\u1eadt g\u1eb7p ba t\u1ef3 kheo \n      s\u1ed1ng chung h\u00f2a h\u1ee3p &quot;nh\u01b0 n\u01b0\u1edbc v\u1edbi s\u1eefa&quot; v\u00e0 h\u1ecfi h\u1ecd l\u00e0m c\u00e1ch n\u00e0o h\u1ecd s\u1ed1ng\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c h<\/FONT>\u00f2a h\u1ee3p nh\u01b0 v\u1eady.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>32. Mah\u00e0gosinga Sutta &#8211; The greater discourse in Gosinga<\/B><\/FONT>.<P>\n      On a beautiful moonlit night a number of senior disciples meet together in \n      a s\u00e0la tree wood and discuss what kind of bhikkhu could illuminate the \n      wood. After each has answered according to his personal ideal, they go to \n      the Buddha, who provides his own answer.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh d\u00e0i trong r\u1eebng Gosinga<\/B><\/FONT>.<P>V\u00e0o m\u1ed9t\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00eam tr<FONT FACE=\"Times New Roman\">\u0103ng \n      s\u00e1ng, m\u1ed9t s\u1ed1 cao \u0111\u1ec7 c\u1ee7a Ph\u1eadt t\u1ee5 h\u1ecdp trong r\u1eebng c\u00e2y sa la th\u1ea3o lu\u1eadn v\u1ec1 h\u1ea1ng \n      t\u1ef3 kheo n<\/FONT>\u00e0o c\u00f3 th\u1ec3 l\u00e0m ch\u00f3i s\u00e1ng khu r\u1eebng. Sau khi m\u1ed7i ng\u01b0\u1eddi\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 tr\u1ea3 l\u1eddi theo l\u00fd t\u01b0\u1edfng ri\u00eang m\u00ecnh, \n      h\u1ecd c\u00f9ng <FONT FACE=\"Times New Roman\">\u0111i \u0111\u1ebfn Ph\u1eadt. Ng<\/FONT>\u00e0i\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0a ra c\u00e2u tr\u1ea3 l\u1eddi c\u1ee7a ch\u00ednh Ng<\/FONT>\u00e0i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>33. Mah\u00e0gop\u00e0laka Sutta &#8211; The greater discourse on the cowherd<\/B><\/FONT>.<P>\n      The Buddha teaches eleven qualities that prevent a bhikkhu&#39;s growth in the \n      Dhamma and eleven qualities that contributes to its growth.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh d\u00e0i v\u1ec1 ng\u01b0\u1eddi m\u1ee5c <\/FONT>\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ed3ng<\/FONT><\/B>.<P>Ph\u1eadt d\u1ea1y \n      11 t\u00ednh ch\u1ea5t khi\u1ebfn t\u1ef3 kheo kh\u00f4ng l\u1edbn m\u1ea1nh trong Ph\u00e1p v\u00e0 11 t\u00ednh ch\u1ea5t\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u0111\u1ebfn s\u1ef1 t\u0103ng ti\u1ebfn Ph\u00e1p.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>34. C\u00f9lagop\u00e0laka Sutta &#8211; The shorter discourse on the cowherd<\/B><\/FONT>.<P>\n      The Buddha explains the types of of bhikkhus who &quot;breast M\u00e0ra&#39;s stream&quot; \n      and get safely across to the further shore.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh ng\u1eafn v\u1ec1 ng\u01b0\u1eddi ch<\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0103n \n      b<\/FONT><FONT COLOR=\"#00007f\">\u00f2<\/FONT><\/B>.<P>Ph\u1eadt gi\u1ea3i th\u00edch c\u00e1c h\u1ea1ng t\u1ef3 \n      kheo &quot;v\u01b0\u1ee3t qua <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c s\u00f4ng ma&quot; \u0111\u1ec3 v\u01b0\u1ee3t qua b\u1edd \n      kia m\u1ed9t c\u00e1ch an \u1ed5n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>35. C\u00f9lasaccaka Sutta &#8211; The shorter course to Saccaka<\/B><\/FONT>.<P>The \n      debater Saccaka boast that on debate he can shake the Buddha up and down \n      and thump him about, but when he finally meets the Buddha their discussion \n      takes some unexpected turns.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn gi\u1ea3ng cho Saccaka<\/B><\/FONT>.<P>Saccaka, ng\u01b0\u1eddi gi\u1ecfi bi\u1ec7n \n      lu\u1eadn thu\u1ed9c ph\u00e1i kh\u1ed5 h\u1ea1nh Ni ki\u1ec1n t\u1eed khoe khoang r\u1eb1ng \u00f4ng ta c\u00f3 th\u1ec3 tranh \n      bi\u1ec7n v\u1edbi Ph\u1eadt l\u00e0m Ng\u00e0i ph\u1ea3i run l\u00ean, v\u1ea7n quanh Ng\u00e0i. Nh\u01b0ng cu\u1ed1i c\u00f9ng khi \n      \u00f4ng g\u1eb7p Ph\u1eadt, cu\u1ed9c <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e0m lu\u1eadn\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 c\u00f3 nh\u1eefng chuy\u1ec3n bi\u1ebfn b\u1ea5t ng\u1edd.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>36. Mah\u00e0saccaka Sutta &#8211; The greater discourse to Saccaka<\/B><\/FONT>.<P>\n      The Buddha meets again with Saccaka and in the course of a discussion on \n      development of body and development of mind he relates a detailed \n      narrative on his own spiritual quest.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh d\u00e0i gi\u1ea3ng cho Saccaka<\/B><\/FONT>.<P>Ph\u1eadt l\u1ea1i g\u1eb7p Saccaka v\u00e0 trong \n      m\u1ed9t cu\u1ed9c th\u1ea3o lu\u1eadn v\u1ec1 th\u00e2n tu t\u1eadp v\u00e0 t\u00e2m tu t\u1eadp, Ng\u00e0i thu\u1eadt l\u1ea1i chi ti\u1ebft \n      v\u1ec1 cu\u1ed9c t\u1ea7m <FONT FACE=\"Times New Roman\">\u0111\u1ea1o c\u1ee7a ch\u00ednh m<\/FONT>\u00ecnh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>37. C\u00f9latanh\u00e0sankhaya Sutta &#8211; The shorter discourse on the destruction \n      of craving<\/B><\/FONT>.<P>The venerable Mah\u00e0 Moggall\u00e0na overhears the \n      Buddha give a brief explanation to Sakka, ruler of gods, as to how a \n      bhikkhu is liberated through the destruction of craving. Wishing to know \n      if Sakka understood the meaning, he makes a trip to the heaven of the \n      Thirty-three to find out.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn v\u1ec1 s\u1ef1 di\u1ec7t \u00e1i<\/B><\/FONT>.<P>T\u00f4n gi\u1ea3 M\u1ee5c ki\u1ec1n li\u00ean nghe l\u1ecfm \n      m\u1ed9t b\u00e0i kinh ng\u1eafn Ph\u1eadt gi\u1ea3ng cho <FONT FACE=\"Times New Roman\">\u0110\u1ebf th\u00edch thi<\/FONT>\u00ean \n      ch\u1ee7, l\u00e0m th\u1ebf n\u00e0o m\u1ed9t t\u1ef3 kheo gi\u1ea3i tho\u00e1t nh\u1edd di\u1ec7t \u00e1i. V\u00ec mu\u1ed1n bi\u1ebft Thi\u00ean \n      ch\u1ee7 c\u00f3 hi\u1ec3u <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c \u00fd ngh\u0129a l\u1eddi d\u1ea1y \u1ea5y kh\u00f4ng, \n      t\u00f4n gi\u1ea3 M\u1ee5c Li<\/FONT>\u00ean l\u00ean <FONT FACE=\"Times New Roman\">\u0111\u1ebfn c<\/FONT>\u00f5i \n      tr\u1eddi 33 <FONT FACE=\"Times New Roman\">\u0111\u1ec3 t<\/FONT>\u00ecm hi\u1ec3u.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>38. Mah\u00e0tanh\u00e0sankh\u00e0ya Sutta &#8211; The greater discourse on the destruction \n      of craving<\/B><\/FONT>.<P>A bhikkhu named Sati promulgates the pernicious \n      view that the same consciousness transmigrates from life to life. The \n      Buddha reprimands him with a lengthy discourse on dependent origination, \n      showing how all phenomena of existence arise and cease through conditions.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh d\u00e0i v\u1ec1 <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0110o\u1ea1n \n      \u00e1i d\u1ee5c<\/FONT><\/B>.<P>M\u1ed9t t\u1ef3 kheo t\u00ean Sati tuy\u00ean b\u1ed1 t\u00e0 ki\u1ebfn cho r\u1eb1ng c\u0169ng \n      m\u1ed9t t\u00e2m th\u1ee9c \u1ea5y l\u01b0u chuy\u1ec3n <FONT FACE=\"Times New Roman\">\u0111\u1eddi n<\/FONT>\u00e0y \n      sang <FONT FACE=\"Times New Roman\">\u0111\u1eddi kh\u00e1c. Ph\u1eadt qu\u1edf tr\u00e1ch \u00f4ng v\u1edbi m\u1ed9t b<\/FONT>\u00e0i \n      thuy\u1ebft gi\u1ea3ng d\u00e0i v\u1ec1 l\u00fd duy\u00ean sinh, ch\u1ec9 r\u00f5 t\u1ea5t c\u1ea3 ph\u00e1p hi\u1ec7n h\u1eefu [hi\u1ec7n \n      t\u01b0\u1ee3ng] <FONT FACE=\"Times New Roman\">\u0111\u1ec1u sinh v<\/FONT>\u00e0 di\u1ec7t do nh\u1eefng\n      <FONT FACE=\"Times New Roman\">\u0111i\u1ec1u ki\u1ec7n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>39. Mah\u00e0-assapura Sutta &#8211; The greater discourse at assapura<\/B><\/FONT>.<P>\n      The Buddha elucidates &quot;the things that make one a recluse&quot; with a \n      discourse covering many aspects of the bhikkh\u00fas training.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh d\u00e0i gi\u1ea3ng \u1edf x\u00f3m ng\u1ef1a<\/B><\/FONT>.<P>Ph\u1eadt k\u1ec3 ra nh\u1eefng &quot;ph\u00e1p l\u00e0m n\u00ean \n      m\u1ed9t sa m\u00f4n \u1ea9n s\u0129&quot; v\u1edbi m\u1ed9t b\u00e0i gi\u1ea3ng bao qu\u00e1t nhi\u1ec1u ph\u01b0\u01a1ng di\u1ec7n tu t\u1eadp c\u1ee7a \n      m\u1ed9t t\u1ef3 kheo.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>40. C\u00f9la-assapura Sutta &#8211; The shorter discourse at assapura<\/B><\/FONT>.<P>\n      The Buddha explains &quot;the way proper to the recluse&quot; to be not the mere \n      outward practice of austerities but the inward purification from \n      defilements.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn gi\u1ea3ng t\u1ea1i x\u00f3m ng\u1ef1a<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3i th\u00edch &quot;con\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1eddng ch\u00e2n ch\u00ednh c\u1ee7a sa m\u00f4n&quot; \u0111\u1ec3 \u00e1m ch\u1ec9 kh\u00f4ng \n      nh\u1eefng ch\u1ec9 c\u00f3 kh\u1ed5 h\u1ea1nh b\u1ec1 ngo<\/FONT>\u00e0i, m\u00e0 c\u00f2n s\u1ef1 t\u1ecbnh h\u00f3a nh\u1eefng \u00f4 nhi\u1ec5m \n      n\u1ed9i t\u00e2m.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>41-42. S\u00e0leyyaka &amp; Veranjaka Suttas &#8211; The brahmins of S\u00e0la and of \n      Veranja<\/B><\/FONT>.<P>In these two nearly identical suttas, the Buddha \n      explains to the groups of brahmin householders the courses of conduct \n      leading to rebirth in lower realms and the courses leading to higher \n      rebirth and deliverance.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      C\u00e1c b\u00e0 la m\u00f4n \u1edf S\u00e0la v\u00e0 \u1edf Veranja<\/B><\/FONT>.<P>Trong hai kinh g\u1ea7n gi\u1ed1ng \n      nhau n\u00e0y, Ph\u1eadt gi\u1ea3ng cho c\u00e1c nh\u00f3m gia ch\u1ee7 B\u00e0 la m\u00f4n v\u1ec1 c\u00e1c nghi\u1ec7p\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea1o \u0111\u01b0a \u0111\u1ebfn t\u00e1i sinh \u1edf c\u00e1c c<\/FONT>\u00f5i th\u1ea5p, \n      v\u00e0 c\u00e1c nghi\u1ec7p <FONT FACE=\"Times New Roman\">\u0111\u1ea1o \u0111\u01b0a \u0111\u1ebfn t\u00e1i sinh cao c\u1ea5p v<\/FONT>\u00e0\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u0111\u1ebfn gi\u1ea3i tho\u00e1t.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>43-44. Mah\u00e0vedalla &amp; C\u00f9lavedalla Suttas &#8211; The greater and shorter \n      series of questions and answers<\/B><\/FONT>.<P>These two discourses take \n      form of discussions on various subtle points of Dhamma, the former between \n      the venerable Mah\u00e0 Kotthila and the venerable S\u00e0riputta, the latter \n      between the bhikkhun\u00ec Dhammadinn\u00e0 and the lay follower Vis\u00e0kha.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      T\u1eadp h\u1ee3p l\u1edbn v\u00e0 nh\u1ecf c\u00e1c v\u1ea5n <\/FONT>\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u00e1p<\/FONT><\/B>.<P>Hai kinh \n      n\u00e0y mang h\u00ecnh th\u1ee9c <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e0m lu\u1eadn nh\u1eefng\n      <FONT FACE=\"Times New Roman\">\u0111i\u1ec3m t\u1ebf nh\u1ecb v\u1ec1 Ph\u00e1p. Kinh tr\u01b0\u1edbc l<\/FONT>\u00e0 \n      gi\u1eefa hai t\u00f4n gi\u1ea3 C\u00e2u thi la v\u00e0 X\u00e1 l\u1ee3i ph\u1ea5t, kinh sau gi\u1eefa t\u1ef3 kheo ni \n      Dhammadinn\u00e0 v\u00e0 c\u01b0 s\u0129 Vis\u00e0kha.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>45-46. C\u00f9ladhammasam\u00e0d\u00e0na &amp; Mah\u00e0-dhammasam\u00e0d\u00e0na Suttas &#8211; The shorter \n      and greater discourses on ways of undertaking things<\/B><\/FONT>.<P>The \n      Buddha explains, differently in each of the two suttas, four ways of \n      undertaking things, distinguished according to whether they are painful or \n      pleasant now and whether they ripen in pain or pleasure in the future.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn v\u00e0 d\u00e0i v\u1ec1 nh\u1eefng l\u1ed1i h\u00e0nh x\u1eed<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3i th\u00edch \n      trong hai kinh n\u00e0y, b\u1ed1n c\u00e1ch th\u1ecd l\u00e3nh c\u00e1c ph\u00e1p, kh\u00e1c nhau \u1edf ch\u1ed7 hi\u1ec7n t\u1ea1i \n      ch\u00fang l\u00e0 l\u1ea1c hay kh\u1ed5 v\u00e0 trong t\u01b0\u01a1ng lai, ch\u00fang k\u1ebft th\u00e0nh qu\u1ea3 b\u00e1o vui hay \n      kh\u1ed5.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>47. V\u00ecmamsaka Sutta &#8211; The inquirer<\/B><\/FONT>.<P>The Buddha invites the \n      bhikkhus to maek a thorough investigation of himself in order to find out \n      whether or not he can be accepted as fully enlightened.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Ng\u01b0\u1eddi t\u00ecm hi\u1ec3u<\/B><\/FONT>.<P>Ph\u1eadt khuy\u00ean c\u00e1c t\u1ef3 kheo n\u00ean l\u00e0m m\u1ed9t cu\u1ed9c tra \n      t\u1ea7m to\u00e0n di\u1ec7n v\u1ec1 b\u1ea3n th\u00e2n Ng\u00e0i <FONT FACE=\"Times New Roman\">\u0111\u1ec3 t<\/FONT>\u00ecm \n      hi\u1ec3u xem Ng\u00e0i c\u00f3 <FONT FACE=\"Times New Roman\">\u0111\u00e1ng \u0111\u01b0\u1ee3c ch\u1ea5p nh\u1eadn l<\/FONT>\u00e0 \n      ho\u00e0n to\u00e0n gi\u00e1c ng\u1ed9 hay kh\u00f4ng.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>48. Kosambiya Sutta &#8211; The Kosambians<\/B><\/FONT>.<P>During the period \n      when the bhikkhus at Kosambi are divided by a dispute, the Buddha teaches \n      them the six qualities that create love and respect and conduce to unity. \n      He then explains seven extraordinary knowledges possed by a noble disciple \n      who has realised the fruit of stream-entry.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Nh\u1eefng ng\u01b0\u1eddi x\u1ee9 C\u00e2u di\u1ec7m b\u00ec<\/B><\/FONT>.<P>Trong th\u1eddi gian ch\u01b0 t\u1ef3 kheo \u1edf C\u00e2u \n      di\u1ec7m b\u00ec chia r\u1ebd v\u00ec m\u1ed9t cu\u1ed9c tranh c\u00e3i, Ph\u1eadt gi\u1ea3ng d\u1ea1y cho h\u1ecd s\u00e1u\n      <FONT FACE=\"Times New Roman\">\u0111\u1ee9c t\u00ednh t\u1ea1o n<\/FONT>\u00ean t\u00ecnh th\u01b0\u01a1ng y\u00eau v\u00e0 \n      t\u01b0\u01a1ng k\u00ednh, <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u0111\u1ebfn h<\/FONT>\u00f2a h\u1ee3p. R\u1ed3i Ng\u00e0i \n      gi\u1ea3i th\u00edch b\u1ea3y th\u1eafng tr\u00ed m\u00e0 m\u1ed9t v\u1ecb th\u00e1nh <FONT FACE=\"Times New Roman\">\u0111\u1ec7 \n      t\u1eed c\u00f3 \u0111\u01b0\u1ee3c khi ch\u1ee9ng qu\u1ea3 D\u1ef1 l\u01b0u.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>49. Brahmanimantanika Sutta &#8211; The invitation of a brahm\u00e0<\/B><\/FONT>.<P>\n      Baka the Brahm\u00e0, a high divinity, adopts the pernicious view that the \n      heavenly world over which he presides is eternal and that there is no \n      higher state beyond. The Buddha visits him to dissuade him from that wrong \n      view and engages him in a contest of Olympian dimensions.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>S\u1ef1 \n      m\u1eddi m\u1ecdc c\u1ee7a Ph\u1ea1m thi\u00ean<\/B><\/FONT>.<P>V\u1ecb tr\u1eddi Baka c\u00f5i Ph\u1ea1m thi\u00ean, c\u00f3 t\u00e0 \n      ki\u1ebfn r\u1eb1ng c\u00f5i tr\u1eddi m\u00e0 \u00f4ng l\u00e0m ch\u1ee7 l\u00e0 tr\u01b0\u1eddng c\u1eedu, kh\u00f4ng c\u00f3 c\u00f5i n\u00e0o cao h\u01a1n. \n      Ph\u1eadt vi\u1ebfng th<FONT FACE=\"Times New Roman\">\u0103m \u00f4ng ta \u0111\u1ec3 gi\u1ea3i tr\u1eeb t<\/FONT>\u00e0 \n      ki\u1ebfn \u1ea5y n\u01a1i \u00f4ng, v\u00e0 <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u00f4ng v<\/FONT>\u00e0o m\u1ed9t \n      cu\u1ed9c tranh t\u00e0i c\u00f3 t\u1ea7m c\u1ee1 th\u1ebf v\u1eadn h\u1ed9i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>50. M\u00e0ratajjan\u00ecya Sutta &#8211; The rebuke to M\u00e0ra<\/B><\/FONT>.<P>M\u00e0ra \n      attempts to harass the venerable Moggall\u00e0na, but the latter relates a \n      story of the distant past to warn M\u00e0ra of the dangers in creating trouble \n      for a disciple of the Buddha.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      H\u00e0ng ph\u1ee5c \u00c1c ma<\/B><\/FONT>.<P>\u00c1c ma c\u1ed1 qu\u1ea5y nhi\u1ec5u t\u00f4n gi\u1ea3 M\u1ee5c ki\u1ec1n li\u00ean, \n      Ng\u00e0i b\u00e8n thu\u1eadt l\u1ea1i m\u1ed9t c\u00e2u chuy\u1ec7n t\u1eeb qu\u00e1 kh\u1ee9 l\u00e2u xa\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 c\u1ea3nh c\u00e1o cho \u00c1c ma bi\u1ebft nh\u1eefng nguy hi\u1ec3m \n      x\u1ea3y \u0111\u1ebfn khi qu\u1ea5y r\u1ed1i m\u1ed9t \u0111\u1ec7 t\u1eed c\u1ee7a Ph\u1eadt.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD VALIGN=\"TOP\" COLSPAN=\"2\" WIDTH=\"55%\" BGCOLOR=\"#F0FFF0\">\n      <P ALIGN=\"CENTER\">-ooOoo-<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>51. Kandaraka Sutta &#8211; To Kandaraka.<\/B><\/FONT><P>The Buddha discusses \n      four kinds of persons found in the world &#8211; the one who torments himself, \n      the one who torments others, the one who torments both himself and others, \n      and the one who torments neither but lives a truly holy life.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Kinh n\u00f3i cho Kandaraka.<\/B><\/FONT><P>Ph\u1eadt b\u00e0n <FONT FACE=\"Times New Roman\">\n      \u0111\u1ebfn b\u1ed1n h\u1ea1ng ng\u01b0\u1eddi \u0111\u01b0\u1ee3c t<\/FONT>\u00ecm th\u1ea5y tr\u00ean <FONT FACE=\"Times New Roman\">\n      \u0111\u1eddi: h\u1ea1ng ng\u01b0\u1eddi t\u1ef1 h<\/FONT>\u00e0nh kh\u1ed5, h\u1ea1ng ng\u01b0\u1eddi h\u00e0nh kh\u1ed5 ng\u01b0\u1eddi, h\u1ea1ng v\u1eeba t\u1ef1 \n      h\u00e0nh kh\u1ed5 v\u1eeba h\u00e0nh kh\u1ed5 ng\u01b0\u1eddi, h\u1ea1ng kh\u00f4ng t\u1ef1 h\u00e0nh kh\u1ed5, kh\u00f4ng h\u00e0nh kh\u1ed5 ng\u01b0\u1eddi \n      m\u00e0 l\u1ea1i s\u1ed1ng m\u1ed9t <FONT FACE=\"Times New Roman\">\u0111\u1eddi th\u1ef1c th\u00e1nh thi\u1ec7n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>52. Atthakan\u00e0gara Sutta &#8211; The man from Atthakanagara<\/B><\/FONT><P>The \n      venerable \u00c0nanda teaches eleven &quot;d\u01a1rs to the Deathless &quot;by which a bhikkhu \n      can attain the supreme security from bondage.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Ng\u01b0\u1eddi t\u1eeb th\u00e0nh B\u00e1t<\/B><\/FONT>.&nbsp;<P>T\u00f4n gi\u1ea3 \u00c0nanda d\u1ea1y 11 &quot;c\u1eeda b\u1ea5t t\u1eed&quot;, qua \n      c\u1eeda n\u00e0y m\u1ed9t t\u1ef3 kheo c\u00f3 th\u1ec3 <FONT FACE=\"Times New Roman\">\u0111\u1ea1t \u0111\u1ebfn v\u00f4 th\u01b0\u1ee3ng \n      an \u1ed5n kh\u1ecfi tr\u00f3i bu\u1ed9c.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>53. Sekha Sutta &#8211; The disciple in higher training.<\/B><\/FONT><P>At the \n      Buddha\u2019s request the venerable \u00c0nanda gives a discourse on the practices \n      undertaken by a disciple in higher training. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\u00d0\u1ec7 \n      t\u1eed tr\u00ean <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ea1o l\u1ed9 h\u1eefu h\u1ecdc<\/FONT><\/B>.<P>\n      Ph\u1eadt b\u1ea3o t\u00f4n gi\u1ea3 Ananda gi\u1ea3ng v\u1ec1 c\u00e1c ph\u00e1p tu c\u1ee7a m\u1ed9t b\u1eadc h\u1eefu h\u1ecdc. <\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>54. Potaliya Sutta &#8211; To Potaliya<\/B><\/FONT>.<P>The Buddha teaches a \n      presumptuous interlocutor the meaning of the &quot;cutting off affairs&quot; in his \n      discipline. The sutta offers a striking series of similes on the dangers \n      in sensual pleasures.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Potaliya<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3ng d\u1ea1y cho m\u1ed9t ng\u01b0\u1eddi h\u1ee3m h\u0129nh\n      <FONT FACE=\"Times New Roman\">\u0111\u1ebfn tham v\u1ea5n, \u00fd ngh\u0129a c\u1ee7a &quot;\u0111o\u1ea1n tr\u1eeb t\u1ee5c s\u1ef1&quot; \n      trong ph\u00e1p lu\u1eadt c\u1ee7a Ng<\/FONT>\u00e0i. Kinh n\u00e0y <FONT FACE=\"Times New Roman\">\u0111\u01b0a \n      ra m\u1ed9t lo\u1ea1t nh\u1eefng v\u00ed d\u1ee5 \u0111\u1eb7c s\u1eafc v\u1ec1 nh\u1eefng nguy hi\u1ec3m c\u1ee7a d\u1ee5c l\u1ea1c.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>55. Jivaka Sutta &#8211; To Jivaka<\/B><\/FONT>.<P>The Buddha explains the \n      regulations he has laid down concerning meat-eating and defends his \n      disciples against unjust accusatioins.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Jivaka<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3ng nh\u1eefng quy lu\u1eadt Ng\u00e0i\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 ch\u1ebf <FONT FACE=\"Times New Roman\">\n      \u0111\u1ecbnh v\u1ec1 s\u1ef1 \u0103n th\u1ecbt v<\/FONT>\u00e0 b\u1ea3o v\u1ec7 c\u00e1c <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed \n      kh\u1ecfi b\u1ecb l<\/FONT>\u00ean \u00e1n b\u1ea5t c\u00f4ng.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>56. Up\u00e0li Sutta &#8211; To Up\u00e0li<\/B><\/FONT><P>The wealthy and influential \n      householder Up\u00e0li, a prominent supporter of the Jains, proposes to go to \n      the Buddha and refute his doctrine. Instead, he finds himself converted by \n      the Buddha\u2019s &quot;converting magic&quot;.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Up\u00e0li<\/B><\/FONT>.<P>Gia ch\u1ee7 gi\u00e0u c\u00f3 v\u00e0 n\u1ed5i ti\u1ebfng t\u00ean Up\u00e0li, m\u1ed9t \n      th\u00ed ch\u1ee7 quan tr\u1ecdng c\u1ee7a gi\u00e1o ph\u00e1p Ni ki\u1ec1n t\u1eed, <FONT FACE=\"Times New Roman\">\n      \u0111\u1ecbnh \u0111\u1ebfn b<\/FONT>\u00e0i b\u00e1c ch\u1ee7 tr\u01b0\u01a1ng c\u1ee7a Ph\u1eadt. Nh\u01b0ng ng\u01b0\u1ee3c l\u1ea1i, \u00f4ng t\u1ef1 th\u1ea5y \n      m\u00ecnh b\u1ecb c\u1ea3m h\u00f3a b\u1edfi &quot;ph\u00e1p thu\u1eadt c\u1ea3m h\u00f3a&quot; c\u1ee7a Ph\u1eadt.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>57. Kukkuravatika Sutta &#8211; The dog-duty ascetic<\/B><\/FONT>.<P>The Buddha \n      meets two ascetics, one who imitates the behaviour of a dog, the other who \n      imitates the behaviour of an ox. He reveals to them, the futility of their \n      practices and gives them a discourse on kamma and its fruit.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Kh\u1ed5 h\u1ea1nh Ch\u00f3<\/B><\/FONT>.<P>Ph\u1eadt g\u1eb7p hai nh\u00e0 kh\u1ed5 h\u1ea1nh, m\u1ed9t ng\u01b0\u1eddi b\u1eaft ch\u01b0\u1edbc \n      l\u1ed1i s\u1ed1ng c\u1ee7a ch\u00f3, m\u1ed9t ng\u01b0\u1eddi b\u1eaft ch\u01b0\u1edbc l\u1ed1i s\u1ed1ng c\u1ee7a b\u00f2. Ng\u00e0i cho h\u1ecd bi\u1ebft s\u1ef1 \n      v\u00f4 \u00edch c\u1ee7a l\u1ed1i tu \u1ea5y, v\u00e0 gi\u1ea3ng cho h\u1ecd nghe v\u1ec1 nghi\u1ec7p v\u00e0 qu\u1ea3 b\u00e1o.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>58. Abhayar\u00e0jakum\u00e0ra Sutta &#8211; To Prince Abhaya<\/B><\/FONT>.<P>The Jain \n      leader, Nigantha N\u00e0taputta, teaches Prince Abhaya a &quot;two-horned questions&quot; \n      with which he can refute the Buddha\u2019s doctrine. The Buddha escapes the \n      dilemma and explains what kind of speech he would and would not utter. <\/I>\n      <\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho V\u00f4 \u00day v\u01b0\u01a1ng t\u1eed<\/B><\/FONT>.<P>Gi\u00e1o ch\u1ee7 Ni ki\u1ec1n t\u1eed d\u1ea1y cho V\u00f4 \u00day \n      v\u01b0\u01a1ng t\u1eed m\u1ed9t &quot;c\u00e2u h\u1ecfi hai m\u00f3c&quot; <FONT FACE=\"Times New Roman\">\u0111\u1ec3 c\u00f3 th\u1ec3 b<\/FONT>\u00e0i \n      b\u00e1c thuy\u1ebft c\u1ee7a Ph\u1eadt. Ph\u1eadt tho\u00e1t kh\u1ecfi ng\u00f5 b\u00ed v\u00e0 gi\u1ea3i th\u00edch lo\u1ea1i l\u1eddi n\u00e0o \n      Ng\u00e0i s\u1ebd n\u00f3i v\u00e0 lo\u1ea1i n\u00e0o kh\u00f4ng. <\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>59. Bahuvedaniya Sutta &#8211; The many kinds of feeling<\/B><\/FONT>.<P>After \n      resolving a disagreement about the classification of feelings, the Buddha \n      enumerates the different kinds of pleasure and joy that beings can \n      experience.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      C\u00e1c lo\u1ea1i c\u1ea3m th\u1ecd<\/B><\/FONT>.<P>Sau khi gi\u1ea3i quy\u1ebft m\u1ed9t b\u1ea5t\n      <FONT FACE=\"Times New Roman\">\u0111\u1ed3ng v\u1ec1 ph\u00e2n lo\u1ea1i c\u00e1c c\u1ea3m th\u1ecd, Ph\u1eadt k\u1ec3 ra c\u00e1c \n      lo\u1ea1i l\u1ea1c v<\/FONT>\u00e0 h\u1ec9 m\u00e0 h\u1eefu t\u00ecnh c\u00f3 th\u1ec3 c\u1ea3m th\u1ecd.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>60. Apannaka Sutta &#8211; The incontrovertible teaching<\/B><\/FONT>.<P>The \n      Buddha gives a group of brahmin householders an &quot;incontrovertible \n      teaching&quot; that will help them steer clear of the tangle in contentious \n      views. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u00e1o l\u00fd kh\u00f4ng th\u1ec3 tranh c\u00e3i<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3ng cho m\u1ed9t nh\u00f3m gia ch\u1ee7 \n      l\u00e0 b\u00e0 la m\u00f4n m\u1ed9t gi\u00e1o l\u00fd kh\u00f4ng ai c\u00e3i <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c, \n      \u0111\u1ec3 gi\u00fap h\u1ecd kh\u1ecfi m\u1eafc k\u1eb9t v<\/FONT>\u00e0o s\u1ef1 r\u1ed1i ren c\u1ee7a c\u00e1c quan\n      <FONT FACE=\"Times New Roman\">\u0111i\u1ec3m tranh ch\u1ea5p. <\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>61. Ambalatthik\u00e0r\u00e0hulov\u00e0da Sutta &#8211; Advice to R\u00e0hula at Ambalatthik\u00e0<\/B><\/FONT>.<P>\n      The Buddha admonishes his son, the novice R\u00e0hula, on the dangers in lying \n      and stresses the importance of constant reflection on one\u2019s motives.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      L\u1eddi khuy\u00ean R\u00e0hula, \u1edf r\u1eebng Ambala<\/B><\/FONT><P>Ph\u1eadt khuy\u1ebfn c\u00e1o con trai c\u1ee7a \n      Ng\u00e0i l\u00e0 ch\u00fa ti\u1ec3u R\u00e0hula v\u1ec1 nh\u1eefng nguy hi\u1ec3m trong s\u1ef1 n\u00f3i d\u1ed1i, v\u00e0 nh\u1ea5n m\u1ea1nh \n      t\u1ea7m quan tr\u1ecdng c\u1ee7a s\u1ef1 th\u01b0\u1eddng xuy\u00ean t\u01b0 duy v\u1ec1 nh\u1eefng h\u00e0nh\n      <FONT FACE=\"Times New Roman\">\u0111\u1ed9ng c\u1ee7a m<\/FONT>\u00ecnh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>62. Mah\u00e0r\u00e0hulov\u00e0da Sutta &#8211; The greater discourse of advice to R\u00e0hula<\/B><\/FONT>.<P>\n      The Buddha teaches R\u00e0hula the meditation on the elements, on mindfulness \n      of breathing, and other topics.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh d\u00e0i <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ec3 khuy<\/FONT><FONT COLOR=\"#00007f\">\u00ean \n      d\u1ea1y La h\u1ea7u la<\/FONT><\/B><P>Ph\u1eadt d\u1ea1y cho La h\u1ea7u la ph\u00e1p thi\u1ec1n qu\u00e1n v\u1ec1 c\u00e1c\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea1i ch\u1ee7ng, v\u1ec1 ni\u1ec7m h\u01a1i th\u1edf, v<\/FONT>\u00e0 c\u00e1c\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec1 t<\/FONT>\u00e0i kh\u00e1c.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>63. C\u00f9lam\u00e0lunkya Sutta &#8211; The shorter discourse to M\u00e0lunky\u00e0putta<\/B><\/FONT>.<P>\n      A bhikkhu threatens to leave the Order unless the Buddha answers his \n      metaphysical questions. With the smile of the man struck by a poisoned \n      arrow, the Buddha makes plain exactly what he does and does not teach.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh ng\u1eafn gi\u1ea3ng cho Man <\/FONT>\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ed3ng t\u1eed<\/FONT><\/B><P>M\u1ed9t t\u1ef3 \n      kheo d\u1ecda s\u1ebd t\u1eeb b\u1ecf t<FONT FACE=\"Times New Roman\">\u0103ng \u0111o<\/FONT>\u00e0n n\u1ebfu Ph\u1eadt \n      kh\u00f4ng tr\u1ea3 l\u1eddi cho \u00f4ng nh\u1eefng c\u00e2u h\u1ecfi v\u1ec1 si\u00eau h\u00ecnh. V\u1edbi v\u00ed d\u1ee5 ng\u01b0\u1eddi b\u1ecb tr\u00fang \n      m\u1ed9t m\u0169i t\u00ean <FONT FACE=\"Times New Roman\">\u0111\u1ed9c, Ph\u1eadt n<\/FONT>\u00eau r\u00f5 nh\u1eefng g\u00ec \n      Ng\u00e0i c\u00f3 gi\u1ea3ng d\u1ea1y v\u00e0 kh\u00f4ng gi\u1ea3ng d\u1ea1y.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>64. M\u00e0h\u00e0m\u00e0lunkya Sutta &#8211; The greater discourse to M\u00e0lunky\u00e0putta<\/B><\/FONT>.<P>\n      The Buddha teaches the path to the abandoning of the five lower fetters.\n      <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh d\u00e0i gi\u1ea3ng cho Man <\/FONT>\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ed3ng t\u1eed<\/FONT><\/B><P>Ph\u1eadt \n      gi\u1ea3ng d\u1ea1y con <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1eddng t\u1eeb b\u1ecf n\u0103m h\u1ea1 ph\u1ea7n k\u1ebft s\u1eed.\n      <\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>65. Bhadd\u00e0li Sutta &#8211; To Bhadd\u00e0li<\/B><\/FONT>.<P>The Buddha admonishes a \n      recalcitrant monk and explains the disadvantages of refusing to submit to \n      the training.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Bhadd\u00e0li.<\/B><\/FONT><P>Ph\u1eadt qu\u1edf tr\u00e1ch m\u1ed9t t\u1ef3 kheo \u01b0\u01a1n ng\u1ea1nh v\u00e0 \n      gi\u1ea3i th\u00edch nh\u1eefng b\u1ea5t l\u1ee3i c\u1ee7a s\u1ef1 kh\u00f4ng tu\u00e2n theo h\u1ecdc gi\u1edbi.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>66. Latukilopama Sutta &#8211; The simile of the quail<\/B><\/FONT>.<P>The \n      Buddha drives home the importance of abandoning all fetters, no matter how \n      harmless and trifling they may seem.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>V\u00ed \n      d\u1ee5 con chim c\u00e1y.<\/B><\/FONT><P>Ph\u1eadt cho th\u1ea5y s\u1ef1 quan tr\u1ecdng c\u1ee7a vi\u1ec7c t\u1eeb b\u1ecf \n      m\u1ecdi k\u1ebft s\u1eed, d\u00f9 ch\u00fang c\u00f3 th\u1ec3 mang v\u1ebb v\u00f4 h\u1ea1i, kh\u00f4ng\n      <FONT FACE=\"Times New Roman\">\u0111\u00e1ng k\u1ec3.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>67. C\u00e0tum\u00e0 Sutta &#8211; At C\u00e0tum\u00e0<\/B><\/FONT>.<P>The Buddha teaches a group \n      of newly ordained monks four dangers to be overcome by those who have gone \n      forth into homelessness.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\u1ede \n      Catum\u00e0.<\/B><\/FONT><P>Ph\u1eadt gi\u1ea3ng d\u1ea1y cho m\u1ed9t nh\u00f3m t\u00e2n t\u1ef3 kheo v\u1ec1 b\u1ed1n nguy \n      hi\u1ec3m m\u00e0 ng\u01b0\u1eddi xu\u1ea5t gia t\u1eeb b\u1ecf gia <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00ecnh \n      c\u1ea7n ph\u1ea3i v\u01b0\u1ee3t qua.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>68. Nalakap\u00e0na Sutta &#8211; At Nalakap\u00e0na<\/B><\/FONT>.<P>The Buddha explains \n      why, when his disciples die, he declares their level of attainment and \n      plane of rebirth.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\u1ede \n      Nalakap\u00e0na.<\/B><\/FONT><P>Ph\u1eadt gi\u1ea3i th\u00edch t\u1ea1i sao Ng\u00e0i c\u00f4ng b\u1ed1 s\u1ef1 ch\u1ee9ng\n      <FONT FACE=\"Times New Roman\">\u0111\u1eafc v<\/FONT>\u00e0 c\u00f5i t\u00e1i sinh c\u1ee7a c\u00e1c\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed khi h\u1ecd ch\u1ebft.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>69. Guliss\u00e0ni Sutta &#8211; At Guliss\u00e0ni<\/B><\/FONT>.<P>The venerable \n      S\u00e0riputta gives a discourse on the proper training of a forest &#8211; dwelling \n      bhikkhu.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\u1ede \n      Guliss\u00e0ni <\/B><\/FONT>\n      <P>T\u00f4n gi\u1ea3 X\u00e1 l\u1ee3i Ph\u1ea5t gi\u1ea3ng v\u1ec1 c\u00e1ch tu t\u1eadp th\u00edch h\u1ee3p cho m\u1ed9t t\u1ef3 kheo \u1edf \n      r\u1eebng.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>70. K\u00ect\u00e0giri Sutta &#8211; At K\u00ect\u00e0giri<\/B><\/FONT>.<P>The Buddha admonishes a \n      group of disobedient monks, in the course of which he presents an \n      important sevenfold classification of noble disciples.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\u1ede \n      K\u00ect\u00e0giri<\/B><\/FONT>.<P>Ph\u1eadt gi\u00e1o gi\u1edbi nh\u00f3m t\u1ef3 kheo b\u1ea5t tu\u00e2n, v\u00e0 tr\u00ecnh b\u00e0y \n      m\u1ed9t ph\u00e2n lo\u1ea1i quan tr\u1ecdng v\u1ec1 b\u1ea3y h\u1ea1ng hi\u1ec1n th\u00e1nh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>71. Tevijjavacchagotta Sutta &#8211; To Vacchagotta on the threefold true \n      knowledge<\/B><\/FONT>.<P>The Buddha denies possessing complete knowledge of \n      everything at all times and defines the threefold knowledge he does \n      posses.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Vachchagotta v\u1ec1 ba minh<\/B><\/FONT>.<P>Ph\u1eadt ph\u1ee7 nh\u1eadn c\u00f3 to\u00e0n tri \n      v\u1ec1 m\u1ecdi s\u1ef1 v\u00e0o m\u1ecdi l\u00fac, v\u00e0 <FONT FACE=\"Times New Roman\">\u0111\u1ecbnh ngh\u0129a ba minh \n      m<\/FONT>\u00e0 Ng\u00e0i ch\u1ee9ng.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>72. Aggivacchagotta Sutta &#8211; To Vacchagotta on fire<\/B><\/FONT>.<P>The \n      Buddha explains to a wanderer why he does not hold any speculative views. \n      With the smile of an extinguished fire he tries to indicatethe destiny of \n      the liberated being.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Vachchagotta v\u1ec1 ng\u1ecdn l\u1eeda<\/B><\/FONT>.<P>Ph\u1eadt gi\u1ea3ng cho m\u1ed9t du s\u0129 \n      t\u1ea1i sao Ng\u00e0i kh\u00f4ng gi\u1eef m\u1ed9t quan <FONT FACE=\"Times New Roman\">\u0111i\u1ec3m t\u01b0 duy n<\/FONT>\u00e0o. \n      V\u1edbi v\u00ed d\u1ee5 ng\u1ecdn l\u1eeda, Ng\u00e0i c\u1ed1 n\u00f3i ra s\u1ed1 ph\u1eadn c\u1ee7a ng\u01b0\u1eddi\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 gi\u1ea3i tho\u00e1t.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>73. Mah\u00e0vacchagotta Sutta &#8211; The greater discourse to Vacchagotta<\/B><\/FONT>.<P>\n      The story of the wanderer Vacchagotta\u2019s full conversion to the Dhamma, his \n      going forth, and his attainment of arahantship.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh d\u00e0i gi\u1ea3ng cho Vachchagotta<\/B><\/FONT>.<P>C\u00e2u chuy\u1ec7n v\u1ec1 du s\u0129 \n      Vacchagotta ho\u00e0n to\u00e0n quay v\u1ec1 Ph\u00e1p, vi\u1ec7c \u00f4ng xu\u1ea5t gia v\u00e0\n      <FONT FACE=\"Times New Roman\">\u0111\u1eafc qu\u1ea3 a la h\u00e1n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>74. D\u00ecghanakha Sutta &#8211; To D\u00ecghanakha<\/B><\/FONT>.<P>The Buddha counters \n      the disclaimers of a sceptic and teaches him the way to liberation through \n      the contemplation of feelings.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Tr\u01b0\u1eddng tr\u1ea3o<\/B><\/FONT>.<P>Ph\u1eadt b\u00e1c b\u1ecf nh\u1eefng l\u1eddi tuy\u00ean b\u1ed1 c\u1ee7a m\u1ed9t \n      k\u1ebb theo ch\u1ee7 thuy\u1ebft ho\u00e0i nghi v\u00e0 d\u1ea1y con <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1eddng \n      gi\u1ea3i tho\u00e1t do qu\u00e1n c\u1ea3m th\u1ecd.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>75. Magandiya Sutta &#8211; To Magandiya<\/B><\/FONT><P>The Buddha meets the \n      hedonist philosopher Magandiya and points out to him the dangers in \n      sensual pleasures, the benefits of renunciation, and the meaning of \n      Nibb\u00e0na.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Magandiya.<\/B><\/FONT><P>Ph\u1eadt g\u1eb7p ng\u01b0\u1eddi theo thuy\u1ebft h\u01b0\u1edfng l\u1ea1c t\u00ean \n      Magandiya v\u00e0 ch\u1ec9 cho \u00f4ng ta th\u1ea5y nh\u1eefng nguy hi\u1ec3m trong n<FONT FACE=\"Times New Roman\">\u0103m \n      d\u1ee5c, l\u1ee3i \u00edch c\u1ee7a xu\u1ea5t ly v<\/FONT>\u00e0 \u00fd ngh\u0129a c\u1ee7a Ni\u1ebft B\u00e0n.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>76. Sandaka Sutta &#8211; To Sandaka<\/B><\/FONT>.<P>The Venerable \u00c0nanda \n      teaches a group of wanderers four ways that negate the living of the holy \n      life and four kinds of holy life without consolation. Then he explains the \n      holy life that is truly fruitful.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Sandaka<\/B><\/FONT>.<P>T\u00f4n gi\u1ea3 A nan gi\u1ea3ng d\u1ea1y cho m\u1ed9t nh\u00f3m du s\u0129 \n      b\u1ed1n <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1eddng l\u1ed1i ph\u1ee7 nh\u1eadn \u0111\u1eddi s\u1ed1ng ph\u1ea1m h\u1ea1nh &#8211; \n      phi ph\u1ea1m h\u1ea1nh tr\u00fa &#8211; v<\/FONT>\u00e0 4 lo\u1ea1i <FONT FACE=\"Times New Roman\">\u0111\u1eddi s\u1ed1ng \n      ph\u1ea1m h\u1ea1nh b\u1ea5t an &quot;b\u1ea5t an ph\u1ea1m h\u1ea1nh.&quot; R\u1ed3i Ng<\/FONT>\u00e0i gi\u1ea3ng th\u1ebf n\u00e0o l\u00e0\n      <FONT FACE=\"Times New Roman\">\u0111\u1eddi s\u1ed1ng ph\u1ea1m h\u1ea1nh th\u1ef1c s\u1ef1 c\u00f3 hi\u1ec7u qu\u1ea3.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>77. Mah\u00e0sakulud\u00e0yi Sutta &#8211; The greater discourse to Sakulud\u00e0yi<\/B><\/FONT>.<P>\n      The Buddha teaches a group of wanderers the reasons why his disciples \n      venerate him and look to him for guidance.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i gi\u1ea3ng d\u00e0i cho Sakuludayi<\/B><\/FONT>.<P>Ph\u1eadt d\u1ea1y cho m\u1ed9t nh\u00f3m du s\u0129 \n      nh\u1eefng l\u00fd do v\u00ec sao c\u00e1c <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed Ng<\/FONT>\u00e0i t\u00f4n \n      tr\u1ecdng Ng\u00e0i v\u00e0 s\u1ed1ng d\u01b0\u1edbi s\u1ef1 h\u01b0\u1edbng d\u1eabn c\u1ee7a Ng\u00e0i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>78. Samanamandik\u00e0 Sutta &#8211; To Samanamandik\u00e0<\/B><\/FONT>.<P>The Buddha \n      explains how a man is &quot;one who has attained to the supreme attainment.&quot;.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Samanamandik\u00e0<\/B><\/FONT><P>Ph\u1eadt gi\u1ea3i th\u00edch l\u00e0m th\u1ebf n\u00e0o m\u1ed9t ng\u01b0\u1eddi\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c g\u1ecdi l<\/FONT>\u00e0\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 <FONT FACE=\"Times New Roman\">\u0111\u1ea1t \n      \u0111\u1ebfn s\u1ef1 ch\u1ee9ng \u0111\u1eafc t\u1ed1i th\u01b0\u1ee3ng<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>79. C\u00f9lasakulud\u00e0yi Sutta &#8211; The shorter discourse to Sakulud\u00e0yi<\/B><\/FONT>.<P>\n      The Buddha examines the doctrine of a wandering ascetic, using the smile \n      of &quot;the most beautiful girl in the country&quot; to expose the folly of his \n      claims.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn gi\u1ea3ng cho Sakulud\u00e0yi<\/B><\/FONT>.<P>Ph\u1eadt x\u00e9t l\u00fd thuy\u1ebft c\u1ee7a \n      m\u1ed9t du s\u0129 kh\u1ed5 h\u1ea1nh, d\u00f9ng v\u00ed d\u1ee5 ng\u01b0\u1eddi con g\u00e1i <FONT FACE=\"Times New Roman\">\n      \u0111\u1eb9p nh\u1ea5t n\u01b0\u1edbc \u0111\u1ec3 n<\/FONT>\u00eau r\u00f5 t\u00ednh <FONT FACE=\"Times New Roman\">\u0111i<\/FONT>\u00ean \n      r\u1ed3 c\u1ee7a nh\u1eefng g\u00ec \u00f4ng tuy\u00ean b\u1ed1.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>80. Vekhanassa Sutta &#8211; To Vekhanassa<\/B><\/FONT>.<P>A discourse partly \n      similar to the preceding one, with an additional section on sensual \n      pleasure.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Vekhanassa<\/B><\/FONT>.<P>M\u1ed9t b\u00e0i kinh c\u00f3 ph\u1ea7n t\u01b0\u01a1ng t\u1ef1 kinh \n      tr\u01b0\u1edbc, th\u00eam <FONT FACE=\"Times New Roman\">\u0111o\u1ea1n n\u00f3i v\u1ec1 d\u1ee5c l\u1ea1c.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>81. Ghat\u00eck\u00e0ra Sutta &#8211; Ghat\u00eck\u00e0ra the potter<\/B><\/FONT>.<P>The Buddha \n      recounts the story of the chief lay supporter of the past Buddha Kassapa.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Th\u1ee3 g\u1ed1m Ghat\u00eck\u00e0ra<\/B><\/FONT>.<P>Ph\u1eadt thu\u1eadt c\u00e2u chuy\u1ec7n v\u1ec1 ng\u01b0\u1eddi c\u01b0 s\u0129 ngo\u1ea1i \n      h\u1ed9 ch\u00ednh th\u1ee9c c\u1ee7a Ph\u1eadt Ca Di\u1ebfp th\u1eddi qu\u00e1 kh\u1ee9.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>82. Ratthap\u00e0la Sutta &#8211; On Ratthap\u00e0la<\/B><\/FONT>.<P>The story of a young \n      man who goes forth into homelessness against the wishes of his parents and \n      later returns to visit them.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>V\u1ec1 \n      Ratthap\u00e0la<\/B><\/FONT>.<P>Chuy\u1ec7n v\u1ec1 m\u1ed9t thanh ni\u00ean c\u01b0\u1ee1ng l\u1ea1i \u01b0\u1edbc mu\u1ed1n c\u1ee7a \n      cha m\u1eb9 m\u00e0 <FONT FACE=\"Times New Roman\">\u0111i tu, v<\/FONT>\u00e0 sau tr\u1edf v\u1ec1 th<FONT FACE=\"Times New Roman\">\u0103m \n      cha m\u1eb9.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>83. Makh\u00e0deva Sutta &#8211; King Makh\u00e0deva<\/B><\/FONT>.<P>The story of an \n      ancient lineage of kings and how their virtuous tradition was broken due \n      to negligence.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Vua Makh\u00e0deva<\/B><\/FONT>.<P>Chuy\u1ec7n v\u1ec1 m\u1ed9t d\u00f2ng vua ng\u00e0y x\u01b0a, truy\u1ec1n th\u1ed1ng \n      tu h\u00e0nh c\u1ee7a h\u1ecd <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 do ph\u00f3ng d\u1eadt m\u00e0 b\u1ecb \n      gi\u00e1n <FONT FACE=\"Times New Roman\">\u0111o\u1ea1n nh\u01b0 th\u1ebf n<\/FONT>\u00e0o.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>84. Madhur\u00e0 Sutta &#8211; At Madhur\u00e0<\/B><\/FONT>.<P>The venerable Mah\u00e0 Kacc\u00e0na \n      examines the brahmin claim that brahmins are the highest caste.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      T\u1ea1i Madhur\u00e0<\/B><\/FONT>.<P>T\u00f4n gi\u1ea3 \u00d0\u1ea1i Ca Chi\u00ean Di\u00ean x\u00e9t l\u1ea1i l\u1eddi c\u00f4ng b\u1ed1 \n      c\u1ee7a b\u00e0 la m\u00f4n r\u1eb1ng ch\u1ec9 c\u00f3 giai c\u1ea5p c\u1ee7a h\u1ecd l\u00e0 t\u1ed1i th\u01b0\u1ee3ng.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>85. Bodhir\u00e0jakum\u00e0ra Sutta &#8211; To Prince Bodhi<\/B><\/FONT>.<P>The Buddha \n      counters the claim that pleasure is to gained through pain with an account \n      of his own quest for enlightenment.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      N\u00f3i cho v\u01b0\u01a1ng t\u1eed B\u1ed3 <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ec1<\/FONT><\/B>.<P>\n      Ph\u1eadt b\u00e1c l\u1eddi tuy\u00ean b\u1ed1 r\u1eb1ng l\u1ea1c c\u00f3 <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c nh\u1edd \n      kh\u1ed5, b\u1eb1ng c\u00e1ch k\u1ec3 l\u1ea1i cu\u1ed9c t\u1ea7m c\u1ea7u gi\u00e1c ng\u1ed9 c\u1ee7a ch\u00ednh Ng<\/FONT>\u00e0i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>86. Angulim\u00e0la Sutta &#8211; On Angulim\u00e0la<\/B><\/FONT>.<P>The story of how the \n      Buddha subdued the notorious criminal Angulim\u00e0la and led him to the \n      attainment of arahanship.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>V\u1ec1 \n      Chu\u1ed7i Ng\u00f3n Tay<\/B><\/FONT>.<P>K\u1ec3 chuy\u1ec7n Ph\u1eadt h\u00e0ng ph\u1ee5c Chu\u1ed7i ng\u00f3n tay, t\u00ean \n      t\u1ed9i ph\u1ea1m n\u1ed5i ti\u1ebfng, v\u00e0 <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u00f4ng ta \u0111\u1ebfn ch\u1ee9ng \n      \u0111\u1eafc A la h\u00e1n qu\u1ea3.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>87. Piyaj\u00e0tika Sutta &#8211; Born from those who are dear<\/B><\/FONT>.<P>Why \n      the Buddha teaches that sorrow and grief arise from those who are dear.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>Do \n      ng\u01b0\u1eddi th\u00e2n m\u00e0 ph\u00e1t sinh<\/B><\/FONT>.<P>V\u00ec sao Ph\u1eadt d\u1ea1y s\u1ea7u \u01b0u kh\u1edfi l\u00ean t\u1eeb \n      nh\u1eefng ng\u01b0\u1eddi th\u00e2n \u00e1i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>88. B\u00e0hitika Sutta &#8211; The cloak<\/B><\/FONT>.<P>The venerable \u00c0nanda \n      answers King Pasenadi\u2019s questions on the Buddha\u2019s behaviour.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      C\u00e1i \u00e1o cho\u00e0ng<\/B><\/FONT>.<P>T\u00f4n gi\u1ea3 A nan tr\u1ea3 l\u1eddi nh\u1eefng c\u00e2u h\u1ecfi c\u1ee7a vua Ba \n      t\u01b0 n\u1eb7c v\u1ec1 h\u1ea1nh c\u1ee7a Ph\u1eadt.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>89. Dhammacetiya Sutta &#8211; Monuments to the Dhamma<\/B><\/FONT>.<P>King \n      Pasenadi offers ten reasons why he shows such deep veneration to the \n      Buddha.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      \u00d0i\u1ec7n th\u1edd Ch\u00ednh ph\u00e1p<\/B><\/FONT>.<P>Vua Ba t\u01b0 n\u1eb7c\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0a ra m\u01b0\u1eddi l\u00fd do \u00f4ng b<\/FONT>\u00e0y t\u1ecf l\u00f2ng k\u00ednh \n      m\u1ed9 s\u00e2u xa <FONT FACE=\"Times New Roman\">\u0111\u1ed1i v\u1edbi Ph\u1eadt.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>90. Kannakatthala Sutta &#8211; At Kannakatthala<\/B><\/FONT>.<P>King Pasenadi \n      questions the Buddha on omnisscience, on cast distinctions, and on the \n      gods.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\u1ede \n      Kannakatthala<\/B><\/FONT>.<P>Vua Ba t\u01b0 n\u1eb7c h\u1ecfi Ph\u1eadt v\u1ec1 to\u00e0n tri, v\u1ec1 ph\u00e2n \n      bi\u1ec7t giai c\u1ea5p, v\u00e0 v\u1ec1 ch\u01b0 thi\u00ean.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>91. Brahm\u00e0yu Sutta &#8211; To Brahm\u00e0yu.<\/B><\/FONT><P>An old and erudite \n      brahmin learns about the Buddha, goes to meet him, and becomes his \n      disciples.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Ph\u1ea1m ch\u00ed Brahm\u00e0yu.<\/B><\/FONT><P>M\u1ed9t ng\u01b0\u1eddi b\u00e0 la m\u00f4n gi\u00e0 uy\u00ean b\u00e1c t\u00ecm hi\u1ec3u \n      v\u1ec1 Ph\u1eadt, <FONT FACE=\"Times New Roman\">\u0111\u1ebfn g\u1eb7p Ng<\/FONT>\u00e0i v\u00e0 tr\u1edf th\u00e0nh\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed Ng<\/FONT>\u00e0i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>92. Sela Sutta &#8211; To Sela.<\/B><\/FONT><P>The brahmin Sela questions the \n      Buddha, gains faith in him, and becomes a monk along with his company of \n      pupils.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Sela.<\/B><\/FONT><P>B\u00e0 la m\u00f4n Sela h\u1ecfi Ph\u1eadt,\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea1t \u0111\u01b0\u1ee3c \u0111\u1ee9c tin n\u01a1i Ng<\/FONT>\u00e0i v\u00e0 tr\u1edf th\u00e0nh \n      m\u1ed9t t\u1ef3 kheo theo <FONT FACE=\"Times New Roman\">\u0111o<\/FONT>\u00e0n\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed Ph\u1eadt.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>93. Assal\u00e0yana Sutta &#8211; To Assal\u00e0yana.<\/B><\/FONT><P>A young brahmin \n      approaches the Buddha to argue the thesis that the Brahmins are the \n      highest caste.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Assal\u00e0yana.<\/B><\/FONT><P>M\u1ed9t thanh ni\u00ean b\u00e0 la m\u00f4n\n      <FONT FACE=\"Times New Roman\">\u0111\u1ebfn Ph\u1eadt tranh lu\u1eadn \u0111\u1ec1 t<\/FONT>\u00e0i giai c\u1ea5p b\u00e0 \n      la m\u00f4n l\u00e0 cao nh\u1ea5t.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>94. Ghotamukha Sutta &#8211; To Ghotamukha.<\/B><\/FONT><P>A discussion between \n      a brahmin and a bhikkhu on whether the renunciate life accords with the \n      Dhamma.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Ghotamukha.<\/B><\/FONT><P>M\u1ed9t cu\u1ed9c lu\u1eadn\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e0m gi\u1eefa b\u00e0 la m\u00f4n v\u00e0 t\u1ef3 kheo v\u1ec1 v\u1ea5n\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec1: \u0111\u1eddi s\u1ed1ng vi\u1ec5n ly c\u00f3 h\u1ee3p ch\u00ednh ph\u00e1p kh\u00f4ng.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>95. Cank\u00ec Sutta &#8211; With Cank\u00ec.<\/B><\/FONT><P>The Buddha instructs a young \n      brahmin on the preservation of truth, the discovery of truth, and the \n      final arrival at truth.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      V\u1edbi Cank\u00ec.<\/B><\/FONT><P>Ph\u1eadt gi\u00e1o gi\u1edbi m\u1ed9t thanh ni\u00ean b\u00e0 la m\u00f4n v\u1ec1 s\u1ef1 h\u1ed9 \n      tr\u00ec ch\u00e2n l\u00fd, kh\u00e1m ph\u00e1 ch\u00e2n l\u00fd, v\u00e0 ch\u1ee9ng <FONT FACE=\"Times New Roman\">\u0111\u1ea1t \n      ch\u00e2n l\u00fd.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>96. Esuk\u00e0r\u00ec Sutta &#8211; To Esuk\u00e0r\u00ec.<\/B><\/FONT><P>The Buddha and a brahmin \n      discuss the brahmin\u2019s claim to superiority over the other castes.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Esuk\u00e0r\u00ec.<\/B><\/FONT><P>Ph\u1eadt th\u1ea3o lu\u1eadn v\u1edbi m\u1ed9t b\u00e0 la m\u00f4n v\u1ec1 l\u1eddi \n      tuy\u00ean b\u1ed1 giai c\u1ea5p b\u00e0 la m\u00f4n l\u00e0 t\u1ed1i th\u1eafng h\u01a1n c\u00e1c giai c\u1ea5p kh\u00e1c.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>97. Dh\u00e0nanj\u00e0ni Sutta &#8211; To Dh\u00e0nanj\u00e0ni.<\/B><\/FONT><P>The venerable \n      S\u00e0riputta admonishes a brahmin who tries to excuse his negligence by \n      appeal to his many duties. Later, when he is close to death S\u00e0riputta \n      guides him to rebirth in the Brahma &#8211; world but is reprimanded by the \n      Buddha for having done so.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Dh\u00e0nanj\u00e0ni.<\/B><\/FONT><P>T\u00f4n gi\u1ea3 X\u00e1 L\u1ee3i Ph\u1ea5t gi\u00e1o gi\u1edbi m\u1ed9t b\u00e0 la \n      m\u00f4n l\u1ea5y c\u1edb b\u1eadn nhi\u1ec1u ph\u1eadn s\u1ef1 <FONT FACE=\"Times New Roman\">\u0111\u1ec3 bi\u1ec7n minh cho \n      s\u1ef1 l\u01a1 \u0111\u1ec5nh (tu h\u1ecdc) c\u1ee7a m<\/FONT>\u00ecnh. V\u1ec1 sau, khi \u00f4ng g\u1ea7n ch\u1ebft, X\u00e1 l\u1ee3i ph\u1ea5t \n      h\u01b0\u1edbng d\u1eabn \u00f4ng t\u00e1i sinh v\u00e0o c\u00f5i Ph\u1ea1m thi\u00ean, nh\u01b0ng Ng\u00e0i b\u1ecb Ph\u1eadt qu\u1edf v\u00ec\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 l\u00e0m nh\u01b0 v\u1eady.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>98. V\u00e0settha Sutta &#8211; To V\u00e0settha.<\/B><\/FONT><P>The Buddha resolves a \n      dispute between two young Brahmins on the qualities of a true brahmin.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho V\u00e0settha.<\/B><\/FONT><P>Ph\u1eadt gi\u1ea3i quy\u1ebft m\u1ed9t cu\u1ed9c tranh c\u00e3i gi\u1eefa \n      hai thanh ni\u00ean b\u00e0 la m\u00f4n v\u1ec1 nh\u1eefng <FONT FACE=\"Times New Roman\">\u0111\u1ee9c t\u00ednh \n      c\u1ee7a m\u1ed9t b<\/FONT>\u00e0 la m\u00f4n ch\u00e2n ch\u00ednh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>99. Subha Sutta &#8211; To Subha.<\/B><\/FONT><P>The Buddha answers a young \n      Brahmin\u2019s questions and teaches him the way to rebirth in the Brahma &#8211; \n      world.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho T\u01b0 B\u1ea1t.<\/B><\/FONT><P>Ph\u1eadt tr\u1ea3 l\u1eddi nh\u1eefng c\u00e2u h\u1ecfi c\u1ee7a m\u1ed9t b\u00e0 la \n      m\u00f4n tr\u1ebb v\u00e0 d\u1ea1y cho anh ta con <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1eddng t\u00e1i sinh \n      l<\/FONT>\u00ean Ph\u1ea1m thi\u00ean gi\u1edbi.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>100. Sang\u00e0rava Sutta &#8211; To Sang\u00e0rava.<\/B><\/FONT><P>A brahmin student \n      questions the Buddha about the basis on which he teaches the fundamentals \n      of the holy life.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Sang\u00e0rava.<\/B><\/FONT><P>M\u1ed9t thanh ni\u00ean b\u00e0 la m\u00f4n h\u1ecfi Ph\u1eadt v\u1ec1 n\u1ec1n \n      t\u1ea3ng d\u1ef1a tr\u00ean <FONT FACE=\"Times New Roman\">\u0111\u00f3 Ng<\/FONT>\u00e0i gi\u1ea3ng d\u1ea1y nh\u1eefng\n      <FONT FACE=\"Times New Roman\">\u0111i\u1ec1u c\u0103n b\u1ea3n c\u1ee7a \u0111\u1eddi s\u1ed1ng ph\u1ea1m h\u1ea1nh.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD VALIGN=\"TOP\" COLSPAN=\"2\" WIDTH=\"55%\" BGCOLOR=\"#F0FFF0\">\n      <P ALIGN=\"CENTER\">-ooOoo-<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>101. Devadaha Sutta &#8211; At Devadaha. <\/B><\/FONT>\n      <P>The Buddha examines the Jain thesis that liberation is to be attained \n      by self-mortification, proposing a different account of how striving \n      becomes fruitful. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      T\u1ea1i Davadaha<\/B><\/FONT><P>Ph\u1eadt xem x\u00e9t ch\u1ee7 tr\u01b0\u01a1ng c\u1ee7a K\u1ef3 na gi\u00e1o cho c\u1ea7n \n      kh\u1ed5 h\u1ea1nh m\u1edbi <FONT FACE=\"Times New Roman\">\u0111\u1ea1t gi\u1ea3i tho\u00e1t, v<\/FONT>\u00e0\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec1 ngh\u1ecb m\u1ed9t gi\u1ea3i th\u00edch kh\u00e1c, l<\/FONT>\u00e0m th\u1ebf \n      n\u00e0o <FONT FACE=\"Times New Roman\">\u0111\u1ec3 tinh c\u1ea7n \u0111em l\u1ea1i k\u1ebft qu\u1ea3<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>102. Pancattaya Sutta &#8211; The five and the three <\/B><\/FONT>\n      <P>A survey of various speculative views about the future and the past and \n      of misconceptions about Nibb\u00e0na<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      Ph\u00e1p N<\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0103m v<\/FONT><FONT COLOR=\"#00007f\">\u00e0 \n      Ba.<\/FONT><\/B><P>X\u00e9t qua c\u00e1c ki\u1ebfn ch\u1ea5p si\u00eau h\u00ecnh v\u1ec1 v\u1ecb lai qu\u00e1 kh\u1ee9 v\u00e0 \n      nh\u1eefng quan ni\u1ec7m sai l\u1ea1c v\u1ec1 Ni\u1ebft b\u00e0n<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>103. Kinti Sutta &#8211; What do you think about me?<\/B><\/FONT><P>The Buddha \n      explains how the monks can resolve disagreements about the Dhamma <\/I>\n      <\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      C\u00e1c \u00f4ng ngh\u0129 g\u00ec v\u1ec1 ta? <\/B><\/FONT>\n      <P>Ph\u1eadt d\u1ea1y c\u00e1c t\u1ef7 kheo c\u00e1ch gi\u1ea3i quy\u1ebft nh\u1eefng b\u1ea5t\n      <FONT FACE=\"Times New Roman\">\u0111\u1ed3ng v\u1ec1 Ph\u00e1p<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>104. S\u00e0mag\u00e0ma Sutta &#8211; At S\u00e0mag\u00e0ma.<\/B><\/FONT>\n      <P>The Buddha lays down disciplinary procedures for the guidance of the \n      Sangha to ensure its harmonious functioning after his demise. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      T\u1ea1i l\u00e0ng S\u00e0ma.<\/B><\/FONT><P>Ph\u1eadt \u1ea5n <FONT FACE=\"Times New Roman\">\u0111\u1ecbnh \n      nh\u1eefng \u0111i\u1ec1u lu\u1eadt \u0111\u1ec3 ch\u1ec9 \u0111\u1ea1o cho t\u0103ng ch\u00fang s\u1ed1ng h<\/FONT>\u00f2a h\u1ee3p sau khi Ng\u00e0i \n      ni\u1ebft b\u00e0n.]<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>105. Sanakkhatta Sutta &#8211; To Sunakkhatta<\/B><\/FONT>.<P>The Buddha \n      discusses the problem of an individual\u2019s overestimation of his progress in \n      mediatation. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Thi\u1ec7n tinh<\/B><\/FONT><P>Ph\u1eadt b\u00e0n th\u1ea3o v\u1ea5n\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec1 c\u00e1 nh\u00e2n \u0111\u00e1nh gi\u00e1 qu\u00e1 m\u1ee9c s\u1ef1 ti\u1ebfn b\u1ed9 c\u1ee7a m<\/FONT>\u00ecnh \n      v\u1ec1 thi\u1ec1n.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>106. \u00c0nenjasapp\u00e0ya Sutta &#8211; The way to the imperturbable<\/B><\/FONT>.<P>\n      The Buddha explains the approaches to various levels of higher meditative \n      states culminating in Nibb\u00e0na. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      Con <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u01b0\u1eddng \u0111\u1ebfn B\u1ea5t \n      \u0111\u1ed9ng. <\/FONT><\/B>\n      <P>Ph\u1eadt gi\u1ea3i th\u00edch nh\u1eefng c\u00e1ch <FONT FACE=\"Times New Roman\">\u0111\u1ea1t \u0111\u1ebfn c\u00e1c \n      t\u1ea7ng thi\u1ec1n ch\u1ee9ng, t\u1ed9t \u0111\u1ec9nh c\u1ee7a n\u00f3 l<\/FONT>\u00e0 Ni\u1ebft b\u00e0n.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>107. Ganakamoggall\u00e0na Sutta &#8211; To Ganaka Moggall\u00e0na<\/B><\/FONT>.<P>The \n      Buddha sets forth the gradual training of the Buddhist monk and describes \n      himself as the &quot;shower of the way.&quot; <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      N\u00f3i v\u1edbi nh\u00e0 to\u00e1n h\u1ecdc Moggall\u00e0na. <\/B><\/FONT>\n      <P>Ph\u1eadt <FONT FACE=\"Times New Roman\">\u0111\u1ec1 ra tr<\/FONT>\u00ecnh t\u1ef1 hu\u1ea5n luy\u1ec7n m\u1ed9t \n      t\u1ef7 kheo v\u00e0 t\u1ef1 cho m\u00ecnh l\u00e0 ng\u01b0\u1eddi ch\u1ec9 <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1eddng.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>108. Gopakamoggall\u00e0na Sutta &#8211; With Gopaka Moggall\u00e0na. <\/B><\/FONT>\n      <P>The venerable \u00c0nanda explains how the Sangha maintains its unity and \n      internal discipline after the passing away of the Buddha. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      V\u1edbi Gopaka Moggall\u00e0na. <\/B><\/FONT>\n      <P>T\u00f4n gi\u1ea3 A nan gi\u1ea3i th\u00edch l\u00e0m sao t<FONT FACE=\"Times New Roman\">\u0103ng \n      ch\u00fang duy tr<\/FONT>\u00ec <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c s\u1ef1 th\u1ed1ng nh\u1ea5t v<\/FONT>\u00e0 \n      k\u1ef7 lu\u1eadt n\u1ed9i b\u1ed9 sau khi Ph\u1eadt qua <FONT FACE=\"Times New Roman\">\u0111\u1eddi.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>109. Mah\u00e0punnama Sutta &#8211; The greater discourse on the full-moon night.\n      <\/B><\/FONT>\n      <P>A bhikkhu questions the Buddha on the five aggregates, clinging, \n      personality view, and the realisation of non-self.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh d\u00e0i gi\u1ea3ng v\u00e0o <\/FONT>\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111<\/FONT><FONT COLOR=\"#00007f\">\u00eam \n      r\u1eb1m. <\/FONT><\/B>\n      <P>M\u1ed9t t\u1ef7 kheo th\u1ec9nh v\u1ea5n Ph\u1eadt v\u1ec1 n<FONT FACE=\"Times New Roman\">\u0103m u\u1ea9n, v\u1ec1 \n      ch\u1ea5p th\u1ee7, th\u00e2n ki\u1ebfn v<\/FONT>\u00e0 s\u1ef1 ch\u1ee9ng ng\u1ed9 v\u00f4 ng\u00e3.] <\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>110. C\u00f9lapunnama Sutta &#8211; The shorter discourse on the full-moon night.\n      <\/B><\/FONT>\n      <P>The Buddha explains the differences between an &quot;untrue man&quot; and a &quot;true \n      man&quot;. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      B\u00e0i kinh ng\u1eafn gi\u1ea3ng v\u00e0o <\/FONT>\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111<\/FONT><FONT COLOR=\"#00007f\">\u00eam \n      r\u1eb1m. <\/FONT><\/B>\n      <P>Ph\u1eadt gi\u1ea3ng s\u1ef1 kh\u00e1c bi\u1ec7t gi\u1eefa m\u1ed9t ng\u01b0\u1eddi b\u1ea5t ch\u00ednh v\u00e0 m\u1ed9t ng\u01b0\u1eddi ch\u00e2n \n      ch\u00ednh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>111. Anupada Sutta &#8211; One by one as they occurred. <\/B><\/FONT>\n      <P>The Buddha describes the venerable S\u00e0riputta\u2019s development of insight \n      when he was training for the attainment of arahantship. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      T\u1eebng ph\u00e1p m\u1ed9t, ngay khi ch\u00fang kh\u1edfi l\u00ean. <\/B><\/FONT>\n      <P>Ph\u1eadt m\u00f4 t\u1ea3 s\u1ef1 ph\u00e1t tri\u1ec3n tu\u1ec7 gi\u00e1c c\u1ee7a t\u00f4n gi\u1ea3 X\u00e1 l\u1ee3i Ph\u1ea5t l\u00fac ng\u00e0i tu\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 \u0111\u1eafc qu\u1ea3 A la h\u00e1n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>112. Chabbisodhana Sutta &#8211; The sixfold purity. <\/B><\/FONT>\n      <P>The Buddha explains how a bhikkhu should be interrogated when he claims \n      final knowledge and how he would answer if his claim is genuine. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      S\u00e1u s\u1ef1 thanh t\u1ecbnh. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3ng c\u00e1ch ch\u1ea5t v\u1ea5n m\u1ed9t t\u1ef7 kheo khi v\u1ecb \u1ea5y tuy\u00ean b\u1ed1\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 <FONT FACE=\"Times New Roman\">\u0111\u1ea1t \n      tr\u00ed t\u1ed1i h\u1eadu; n\u1ebfu \u0111\u00fang th\u1eadt th<\/FONT>\u00ec v\u1ecb \u1ea5y ph\u1ea3i tr\u1ea3 l\u1eddi nh\u01b0 th\u1ebf n\u00e0o.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>113. Sappurisa Sutta &#8211; The true man. <\/B><\/FONT>\n      <P>The Buddha distinguishes the character of a true man from that of an \n      untrue man<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Ch\u00e2n nh\u00e2n.<\/B><\/FONT><P>Ph\u1eadt gi\u1ea3n bi\u1ec7t <FONT FACE=\"Times New Roman\">\u0111\u1eb7c \n      t\u00ednh c\u1ee7a m\u1ed9t ng\u01b0\u1eddi ch\u00e2n ch\u00ednh kh\u00e1c v\u1edbi ng\u01b0\u1eddi b\u1ea5t ch\u00ednh.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>114. Sevitabb\u00e0sedvitabba Sutta &#8211; To be cultivated and not to be \n      cultivated. <\/B><\/FONT>\n      <P>The Buddha sets up three brief outlines of things to be cultivated and \n      not to be cultivated, and the venerable Sariputta fills in the details.\n      <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      N\u00ean <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111<\/FONT><FONT COLOR=\"#00007f\">\u00e0o \n      luy\u1ec7n v\u00e0 kh\u00f4ng n\u00ean <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111<\/FONT><FONT COLOR=\"#00007f\">\u00e0o \n      luy\u1ec7n. <\/FONT><\/B>\n      <P>Ph\u1eadt n\u00eau v\u1eafn t\u1eaft ba to\u00e1t y\u1ebfu v\u1ec1 nh\u1eefng ph\u00e1p c\u1ea7n\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e0o luy\u1ec7n v\u00e0 kh\u00f4ng c\u1ea7n, r\u1ed3i t\u00f4n gi\u1ea3 X\u00e1 \n      l\u1ee3i Ph\u1ea5t n\u00f3i chi ti\u1ebft <FONT FACE=\"Times New Roman\">\u0111\u1ea7y \u0111\u1ee7.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>115. Bahudh\u00e0tuka Sutta<\/B><\/FONT> &#8211; <FONT COLOR=\"#7f0000\"><B>The many \n      kinds of elements<\/B><\/FONT>.\n      <P>The Buddha expounds in detail the elements, the sense bases, dependent \n      origination, and the kinds of situations that are possible and impossible \n      in the world. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Nhi\u1ec1u lo\u1ea1i y\u1ebfu t\u1ed1. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3ng chi ti\u1ebft v\u1ec1 (m\u01b0\u1eddi t\u00e1m) gi\u1edbi, (m\u01b0\u1eddi hai) x\u1ee9, duy\u00ean kh\u1edfi, v\u00e0 \n      nh\u1eefng tr\u01b0\u1eddng h\u1ee3p c\u00f3 th\u1ec3, kh\u00f4ng th\u1ec3 x\u1ea3y ra \u1edf <FONT FACE=\"Times New Roman\">\n      \u0111\u1eddi.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>116. Isigili Sutta &#8211; The gullet of the seers<\/B><\/FONT>.\n      <P>An enumeration of the names and epithets of paccekabuddhas who formely \n      dwelt on the mountain Isigili. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      V\u1eadt nu\u1ed1t nh\u1eefng v\u1ecb ti\u00ean. <\/B><\/FONT>\n      <P>K\u1ec3 ra t\u00ean v\u00e0 <FONT FACE=\"Times New Roman\">\u0111\u1eb7c \u0111i\u1ec3m c\u00e1c v\u1ecb Ph\u1eadt \u0110\u1ed9c gi\u00e1c \n      tr\u01b0\u1edbc kia \u0111<\/FONT>\u00e3 c\u01b0 tr\u00fa tr\u00ean n\u00fai Th\u00f4n ti\u00ean.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>117. Mah\u00e0catt\u00e0r\u00ecsaka Sutta &#8211; The great forty<\/B><\/FONT>.<P>The Buddha \n      defines the factors of the Noble Eightfold Path and explains their \n      inter-relationships. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      Ph\u00e1p b\u1ed1n m\u01b0\u01a1i v\u0129 <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ea1i.\n      <\/FONT><\/B>\n      <P>Ph\u1eadt <FONT FACE=\"Times New Roman\">\u0111\u1ecbnh ngh\u0129a c\u00e1c chi c\u1ee7a th\u00e1nh \u0111\u1ea1o t\u00e1m \n      ng<\/FONT>\u00e0nh v\u00e0 gi\u1ea3i th\u00edch t\u01b0\u01a1ng quan gi\u1eefa c\u00e1c chi ph\u1ea7n \u1ea5y.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>118. An\u00e0p\u00e0nasati Sutta &#8211; Mindfulness of breathing<\/B><\/FONT>.<P>An \n      exposition of sixteen steps in mindfulness of breathing and of the \n      relation of this meditation to the four foundations of mindfulness and the \n      seven enlightenment factors. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Ni\u1ec7m h\u01a1i th\u1edf<\/B><\/FONT><P>Tr\u00ecnh b\u00e0y 16 b\u01b0\u1edbc trong ph\u00e1p ni\u1ec7m h\u01a1i th\u1edf, t\u01b0\u01a1ng \n      quan gi\u1eefa thi\u1ec1n ph\u00e1p n\u00e0y v\u1edbi B\u1ed1n ni\u1ec7m x\u1ee9 v\u00e0 B\u1ea3y gi\u00e1c chi.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>119. Kayagatasati Sutta<\/B><\/FONT> &#8211; <FONT COLOR=\"#7f0000\"><B>\n      Mindfulness of the body<\/B><\/FONT>.\n      <P>The Buddha explains how mindfulness of the body should be developed and \n      cultivated and the benefits to which it leads. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Ni\u1ec7m th\u00e2n. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3i th\u00edch l\u00e0m th\u1ebf n\u00e0o <FONT FACE=\"Times New Roman\">\u0111\u1ec3 tu t\u1eadp ph\u00e1p \n      ni\u1ec7m th\u00e2n v<\/FONT>\u00e0 n\u00f3i nh\u1eefng l\u1ee3i \u00edch m\u00e0 ph\u00e1p tu n\u00e0y\n      <FONT FACE=\"Times New Roman\">\u0111em l\u1ea1i.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>120. Sankh\u00e0rupapatti Sutta &#8211; Reappearance by aspiration<\/B><\/FONT>.\n      <P>The Buddha teaches how one can be reborn in accordance with one&#39;s wish.\n      <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>S\u1ef1 \n      t\u00e1i sinh do \u01b0\u1edbc nguy\u1ec7n. <\/B><\/FONT>\n      <P>Ph\u1eadt d\u1ea1y l\u00e0m th\u1ebf n\u00e0o ta c\u00f3 th\u1ec3 t\u00e1i sanh t\u00f9y theo mong \u01b0\u1edbc c\u1ee7a m\u00ecnh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>121. C\u00f9lasunnata Sutta &#8211; The shorter discourse on voidness<\/B><\/FONT>.\n      <P>The Buddha instructs Ananda on the &quot;genuine, undistorted, pure descent \n      into voidness.&quot; <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn v\u1ec1 Kh\u00f4ng t\u00ednh. <\/B><\/FONT>\n      <P>Ph\u1eadt d\u1ea1y A nan v\u1ec1 s\u1ef1 ch\u1ee9ng nh\u1eadp T\u00e1nh Kh\u00f4ng thu\u1ea7n t\u00fay kh\u00f4ng b\u1ecb cong \n      qu\u1eb9o.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>122. Mah\u00e0sunnata Sutta &#8211; The greater discourse on voidness<\/B><\/FONT>.\n      <P>Upon finding that the bhikkhus have grown fond of socialising, the \n      Buddha stresses the need for seclusion in order to abide in voidness. <\/I>\n      <\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh d\u00e0i v\u1ec1 Kh\u00f4ng t\u00ednh. <\/B><\/FONT>\n      <P>Th\u1ea5y ch\u01b0 t\u1ef7 kheo kh\u1edfi s\u1ef1 \u01b0a t\u1ee5 h\u1ed9i, Ph\u1eadt nh\u1ea5n m\u1ea1nh nhu y\u1ebfu\n      <FONT FACE=\"Times New Roman\">\u0111\u1ed9c c\u01b0 \u0111\u1ec3 an tr\u00fa T\u00e1nh kh\u00f4ng<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>123. Acchariya-abbh\u00f9ta Sutta &#8211; Wonderful and marvellous events<\/B><\/FONT>.\n      <P>At a gathering of bhikkhus the venerable Ananda recounts the wonderful \n      and marvellous events that preceded and attended the birth of the Buddha<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>Hy \n      h\u1eefu v\u1ecb t\u1eb1ng h\u1eefu.<\/B><\/FONT><P>Trong m\u1ed9t bu\u1ed5i h\u1ecdp ch\u00fang, t\u00f4n gi\u1ea3 A nan \n      thu\u1eadt l\u1ea1i nh\u1eefng s\u1ef1 c\u1ed1 ly k\u1ef3 m\u1ea7u nhi\u1ec7m tr\u01b0\u1edbc v\u00e0 trong ng\u00e0y Ph\u1eadt\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea3n sanh.] <\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>124. Bakkula Sutta &#8211; To Bakkula<\/B><\/FONT><P>The elder disciple Bakkula \n      enumerates his austere practices during his eighty years in the Sangha and \n      exhibits a remarkable death. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho B\u1ea1c c\u00e2u la<\/B><\/FONT><P>T\u00f4n gi\u1ea3 B\u1ea1c c\u00e2u la k\u1ec3 ra nh\u1eefng kh\u1ed5 h\u1ea1nh \n      c\u1ee7a Ng\u00e0i su\u1ed1t 80 n<FONT FACE=\"Times New Roman\">\u0103m s\u1ed1ng gi\u1eefa t\u0103ng v<\/FONT>\u00e0 \n      hi\u1ec3n b\u00e0y m\u1ed9t c\u00e1i ch\u1ebft <FONT FACE=\"Times New Roman\">\u0111\u1eb7c bi\u1ec7t.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>125. Dantabh\u00f9mi Sutta &#8211; Grade of the tamed<\/B><\/FONT>.\n      <P>By analogy with the taming of an elephant, the Buddha explains how he \n      tames his disciples<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      C\u00e1c lo\u1ea1i <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111i\u1ec1u ng\u1ef1<\/FONT><\/B><P>\n      Ph\u1eadt gi\u1ea3ng c\u00e1ch hu\u1ea5n luy\u1ec7n <FONT FACE=\"Times New Roman\">\u0111\u1ec7 t\u1eed v\u1edbi \u1ea9n d\u1ee5 \n      luy\u1ec7n voi.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>126. Bh\u00f9mija Sutta &#8211; To Bh\u00f9mija<\/B><\/FONT><P>The Buddha brings forward \n      a series of similes to illustrate the natural fruitfulness of the Noble \n      Eightfold Path<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho Ph\u00f9 di<\/B><\/FONT><P>Ph\u1eadt <FONT FACE=\"Times New Roman\">\u0111\u01b0a ra m\u1ed9t \n      lo\u1ea1t v\u00ed d\u1ee5 \u0111\u1ec3 hi\u1ec3n th\u1ecb hi\u1ec7u qu\u1ea3 t\u1ef1 nhi<\/FONT>\u00ean c\u1ee7a\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea1o B\u00e1t ch\u00e1nh.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>127. Anuruddha Sutta &#8211; To Anuruddha<\/B><\/FONT><P>The Venerable \n      Anuruddha clarifies the difference betw\u00ean the immeasurable deliverance of \n      mind and the exalted deliverance of mind. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng cho A na lu\u1eadt<\/B><\/FONT><P>T\u00f4n gi\u1ea3 A na lu\u1eadt thuy\u1ebft minh s\u1ef1 kh\u00e1c \n      nhau gi\u1eefa t\u00e2m gi\u1ea3i tho\u00e1t v\u00f4 l\u01b0\u1ee3ng v\u00e0 t\u00e2m gi\u1ea3i tho\u00e1t\n      <FONT FACE=\"Times New Roman\">\u0111\u1ea1i h<\/FONT>\u00e0nh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>128. Upakkilesa Sutta &#8211; Imperfections<\/B><\/FONT>.\n      <P>The Buddha discusses the various impediments to meditative progress he \n      encountered during his quest for enlightenment, with particular reference \n      to the divine eye. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Nh\u1eefng \u00f4 nhi\u1ec5m. <\/B><\/FONT>\n      <P>Ph\u1eadt b\u00e0n v\u1ec1 c\u00e1c ch\u01b0\u1edbng ng\u1ea1i trong qu\u00e1 tr\u00ecnh tu thi\u1ec1n c\u1ee7a Ng\u00e0i\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 \u0111\u1ea1t gi\u00e1c ng\u1ed9, \u0111\u1eb7c bi\u1ec7t \u0111\u1ec1 c\u1eadp v\u1ec1 thi<\/FONT>\u00ean \n      nh\u00e3n.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>129. B\u00e0lapandita Sutta &#8211; Fools and wise men<\/B><\/FONT>.<P>The \n      sufferings of hell and animal life onto which a fool is reborn through his \n      evil deeds, and the pleasures of heaven that a wise man reaps through his \n      good deeds. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>K\u1ebb \n      ngu v\u00e0 ng\u01b0\u1eddi tr\u00ed. <\/B><\/FONT>\n      <P>Nh\u1eefng th\u1ed1ng kh\u1ed5 c\u1ee7a c\u00f5i <FONT FACE=\"Times New Roman\">\u0111\u1ecba ng\u1ee5c v<\/FONT>\u00e0 \n      s\u00fac sinh m\u00e0 do \u00e1c nghi\u1ec7p, k\u1ebb ngu t\u00e1i sinh v\u00e0o, v\u00e0 nh\u1eefng thi\u00ean l\u1ea1c m\u00e0 ng\u01b0\u1eddi \n      tr\u00ed g\u1eb7t h\u00e1i do thi\u1ec7n h\u00e0nh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>130. Devad\u00f9ta Sutta &#8211; The divine messengers<\/B><\/FONT>.\n      <P>The Buddha describes the sufferings of hell that await the evil-doer \n      after death. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>S\u1ee9 \n      gi\u1ea3 thi\u00eang li\u00eang. <\/B><\/FONT>\n      <P>Ph\u1eadt m\u00f4 t\u1ea3 nh\u1eefng n\u1ed5i kh\u1ed5 \u1edf <FONT FACE=\"Times New Roman\">\u0111\u1ecba ng\u1ee5c \u0111ang \n      ch\u1edd \u0111\u1ee3i k\u1ebb l<\/FONT>\u00e0m \u00e1c sau khi ch\u1ebft.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>131-134. Bhaddekaratta Sutta (One Fortunate Attachment); \n      Anandabhaddekaratta Sutta (Ananda and One Fortunate Attachment); \n      Mahakaccanabhaddekaratta Sutta (Maha Kaccana and One Fortunate \n      Attachment); Lomasakangiyabhaddekaratta Sutta (Lomasa &#8211; kangiya and One \n      Fortunate Attachment)<\/B><\/FONT>\n      <P>The above four suttas all revolve around a stanza spoken by the Buddha \n      emphasising the need for present effort in developing insight into things \n      as they are.<\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Kinh Nh\u1ea5t d\u1ea1 hi\u1ec1n gi\u1ea3; A nan v\u00e0 kinh Nh\u1ea5t d\u1ea1 hi\u1ec1n; \u00d0\u1ea1i Ca chi\u00ean di\u00ean v\u00e0 \n      kinh Nh\u1ea5t d\u1ea1 hi\u1ec1n; Lomasakangiya v\u00e0 kinh Nh\u1ea5t d\u1ea1 hi\u1ec1n<\/B><\/FONT><P>C\u1ea3 b\u1ed1n \n      kinh n\u00e0y <FONT FACE=\"Times New Roman\">\u0111\u1ec1u xoay quanh m\u1ed9t b<\/FONT>\u00e0i k\u1ec7 \n      Ph\u1eadt thuy\u1ebft, nh\u1ea5n m\u1ea1nh nhu y\u1ebfu n\u1ed7 l\u1ef1c ngay trong hi\u1ec7n t\u1ea1i\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 ph\u00e1t tri\u1ec3n tu\u1ec7 qu\u00e1n \u0111i s\u00e2u v<\/FONT>\u00e0o c\u00e1c \n      ph\u00e1p hi\u1ec7n t\u1ea1i nh\u01b0 ch\u00fang <FONT FACE=\"Times New Roman\">\u0111ang l<\/FONT>\u00e0.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>135. C\u00f9lakammavibhanga Sutta &#8211; The shorter exposition of action<\/B><\/FONT>.\n      <P>The Buddha explains how kamma accounts for the fortune and misfortune \n      of beings. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Tr\u00ecnh b\u00e0y ng\u1eafn v\u1ec1 nghi\u1ec7p. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3i th\u00edch nghi\u1ec7p l\u00e0 nh\u00e2n c\u1ee7a may m\u1eafn v\u00e0 b\u1ea5t h\u1ea1nh n\u01a1i h\u1eefu t\u00ecnh.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>136. Mah\u00e0kammavibhanga Sutta &#8211; The greater exposition of action<\/B><\/FONT>.\n      <P>The Buddha reveals subtle complexities in the workings of kamma that \n      overturn simplistic dogmas and sweeping generalizations. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Tr\u00ecnh b\u00e0y r\u1ed9ng r\u00e3i h\u01a1n v\u1ec1 nghi\u1ec7p. <\/B><\/FONT>\n      <P>Ph\u1eadt hi\u1ec3n th\u1ecb nh\u1eefng <FONT FACE=\"Times New Roman\">\u0111i\u1ec1u vi t\u1ebf trong v\u1eadn h<\/FONT>\u00e0nh \n      c\u1ee7a nghi\u1ec7p, l\u00e0m <FONT FACE=\"Times New Roman\">\u0111\u1ea3o l\u1ed9n nh\u1eefng l\u1eadp thuy\u1ebft ng\u00e2y \n      ng\u00f4 v<\/FONT>\u00e0 quy n\u1ea1p b\u1eeba b\u00e3i.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>137. Sal\u00e0yatanavibhanga Sutta &#8211; The exposition of the sixfold base<\/B><\/FONT>.\n      <P>The Buddha expounds the six internal and external sense bases and other \n      related topics. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Tr\u00ecnh b\u00e0y v\u1ec1 s\u00e1u x\u1ee9. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3ng gi\u1ea3i s\u00e1u n\u1ed9i ngo\u1ea1i x\u1ee9 v\u00e0 c\u00e1c <FONT FACE=\"Times New Roman\">\u0111\u1ec1 \n      t<\/FONT>\u00e0i li\u00ean h\u1ec7.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>138. Uddesavibhanga Sutta &#8211; The exposition of a summary<\/B><\/FONT>.\n      <P>The venerable Maha Kaccana elaborates upon a brief saying of the Buddha \n      on the training of consciousness and the overcoming of agitation. <\/I>\n      <\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Gi\u1ea3ng r\u1ed9ng m\u1ed9t l\u1eddi d\u1ea1y v\u1eafn t\u1eaft. <\/B><\/FONT>\n      <P>T\u00f4n gi\u1ea3 \u00d0\u1ea1i ca chi\u00ean di\u00ean tri\u1ec3n khai m\u1ed9t l\u1eddi d\u1ea1y v\u1eafn t\u1eaft c\u1ee7a Ph\u1eadt v\u1ec1 s\u1ef1 \n      tu luy\u1ec7n t\u00e2m th\u1ee9c <FONT FACE=\"Times New Roman\">\u0111\u1ec3 th\u1eafng l\u01b0\u1edbt tr\u1ea1o c\u1eed giao \n      \u0111\u1ed9ng.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>139. Aranavibhanga Sutta &#8211; The exposition of non-conflict<\/B><\/FONT>.\n      <P>The Buddha gives a detailed discourse on things that lead to conflict \n      and things that lead away from conflict. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Tr\u00ecnh b\u00e0y v\u1ec1 kh\u00f4ng tranh c\u00e3i. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3ng chi ti\u1ebft v\u1ec1 nh\u1eefng <FONT FACE=\"Times New Roman\">\u0111i\u1ec1u \u0111\u01b0a \u0111\u1ebfn \n      tranh c<\/FONT>\u00e3i v\u00e0 nh\u1eefng <FONT FACE=\"Times New Roman\">\u0111i\u1ec1u l<\/FONT>\u00e0m \n      l\u1eafng d\u1ecbu tranh ch\u1ea5p.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>140. Dh\u00e0tuvibhanga Sutta &#8211; The exposition of elements<\/B><\/FONT>.<P>\n      Stopping at a potter\u2019s workshop for the night, the Buddha meets a monk \n      named Pukkusati and gives him a profound discourse on the elements \n      culminating in the four foundations of arahantship. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Tr\u00ecnh b\u00e0y v\u1ec1 c\u00e1c y\u1ebfu t\u1ed1.<\/B><\/FONT><P>Khi d\u1eebng ngh\u1ec9\n      <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00eam t\u1ea1i x\u01b0\u1edfng m\u1ed9t ng\u01b0\u1eddi th\u1ee3 g\u1ed1m, Ph\u1eadt \n      g\u1eb7p m\u1ed9t t\u1ef7 kheo t\u00ean Pukkusati v\u00e0 gi\u1ea3ng cho v\u1ecb \u1ea5y m\u1ed9t ph\u00e1p tho\u1ea1i s\u00e2u s\u1eafc v\u1ec1 \n      c\u00e1c y\u1ebfu t\u1ed1 <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u0111\u1ebfn t\u1ed9t \u0111\u1ec9nh l<\/FONT>\u00e0 b\u1ed1n n\u1ec1n \n      t\u1ea3ng c\u1ee7a A la h\u00e1n qu\u1ea3.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>141. Saccavibhanga &#8211; The exposition of the truths<\/B><\/FONT>.\n      <P>The venerable Sariputta gives a detailed analysis of the Four Noble \n      Truths. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Tr\u00ecnh b\u00e0y v\u1ec1 nh\u1eefng s\u1ef1 th\u1eadt. <\/B><\/FONT>\n      <P>T\u00f4n gi\u1ea3 X\u00e1 L\u1ee3i Ph\u1ea5t ph\u00e2n t\u00edch chi ti\u1ebft v\u1ec1 B\u1ed1n ch\u00e2n l\u00fd vi di\u1ec7u.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>142. Dakkhin\u00e0vibhanga Sutta &#8211; The exposition of offerings<\/B><\/FONT>.\n      <P>The Buddha enumerates fourteen kinds of personal offerings and seven \n      kinds of offerings made to the Sangha. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      Tr\u00ecnh b\u00e0y v\u1ec1 c\u00e1c s\u1ef1 c\u00fang d\u01b0\u1eddng. <\/B><\/FONT>\n      <P>Ph\u1eadt k\u1ec3 ra 14 lo\u1ea1i c\u00fang d\u01b0\u1eddng c\u00e1 nh\u00e2n v\u00e0 b\u1ea3y lo\u1ea1i c\u00fang d\u01b0\u1eddng cho t\u1eadp \n      th\u1ec3.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>143. An\u00e0thapindikov\u00e0da Sutta &#8211; Advice to Anathapindika<\/B><\/FONT>.\n      <P>The venerable Sariputta is called to An\u00e0thapindika\u2019s deathbed and gives \n      him a stirring sermon on non-attachment. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">\n      L\u1eddi khuy\u00ean tr\u01b0\u1edfng gi\u1ea3 C\u1ea5p c\u00f4 <\/FONT>\n      <FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ed9c. <\/FONT><\/B>\n      <P>T\u00f4n gi\u1ea3 X\u00e1 L\u1ee3i Ph\u1ea5t <FONT FACE=\"Times New Roman\">\u0111\u01b0\u1ee3c m\u1eddi \u0111\u1ebfn b<\/FONT>\u00ean \n      t\u1eed s\u00e0ng c\u1ee7a tr\u01b0\u1edfng gi\u1ea3. Ng\u00e0i n\u00f3i cho \u00f4ng m\u1ed9t ph\u00e1p tho\u1ea1i g\u00e2y nhi\u1ec1u c\u1ea3m h\u1ee9ng \n      v\u1ec1 s\u1ef1 kh\u00f4ng ch\u1ea5p th\u1ee7.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>144. Channov\u00e0da Sutta &#8211; Advice to Channa<\/B><\/FONT>.\n      <P>The venerable Channa, gravely ill, takes his own life despite the \n      attempts of two brother-monks to dissuade him. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      L\u1eddi khuy\u00ean Channa. <\/B><\/FONT>\n      <P>T\u00f4n gi\u1ea3 Channa \u1ed1m n\u1eb7ng, <FONT FACE=\"Times New Roman\">\u0111<\/FONT>\u00e3 t\u1ef1 k\u1ebft \n      li\u1ec5u m\u1ea1ng s\u1ed1ng m\u1eb7c d\u00f9 hai v\u1ecb t\u1ef7 kheo huynh <FONT FACE=\"Times New Roman\">\u0111\u1ec7 \n      \u0111<\/FONT>\u00e3 c\u1ed1 can ng<FONT FACE=\"Times New Roman\">\u0103n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>145. Punnov\u00e0da Sutta &#8211; Advice to Punna<\/B><\/FONT>.\n      <P>The bhikkhu Punna receives a short exhortation from the Buddha and \n      decides to go live among the fierce people of a remote territory. <\/I>\n      <\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      L\u1eddi khuy\u00ean Punna. <\/B><\/FONT>\n      <P>T\u1ef7 kheo Punna nh\u1eadn m\u1ed9t l\u1eddi kh\u00edch l\u1ec7 c\u1ee7a Ph\u1eadt v\u00e0 quy\u1ebft\n      <FONT FACE=\"Times New Roman\">\u0111\u1ecbnh \u0111\u1ebfn s\u1ed1ng gi\u1eefa d\u00e2n ch\u00fang d\u1eef d\u1eb1n t\u1ea1i m\u1ed9t \n      x\u1ee9 xa x\u00f4i.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>146. Nadakov\u00e0da Sutta &#8211; Advice from Nandaka<\/B><\/FONT>.\n      <P>The venerable Nandaka gives the nuns a discourse on impermanence. <\/I>\n      <\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      L\u1eddi khuy\u00ean d\u1ea1y c\u1ee7a t\u00f4n gi\u1ea3 Nandaka. <\/B><\/FONT>\n      <P>T\u00f4n gi\u1ea3 gi\u1ea3ng cho ni ch\u00fang m\u1ed9t b\u00e0i ph\u00e1p v\u1ec1 v\u00f4 th\u01b0\u1eddng.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>147. C\u00f9lar\u00e0hulov\u00e0da Sutta &#8211; The shorter discourse of advice to R\u00e0hula<\/B><\/FONT>.\n      <P>The Buddha gives R\u00e0hula a discourse that leads him to the attainment of \n      arahantship. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      B\u00e0i kinh ng\u1eafn gi\u1ea3ng cho La h\u1ea7u la. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3ng cho La h\u1ea7u la m\u1ed9t ph\u00e1p tho\u1ea1i <FONT FACE=\"Times New Roman\">\n      \u0111\u01b0a Ng<\/FONT>\u00e0i <FONT FACE=\"Times New Roman\">\u0111\u1ebfn ch\u1ee9ng qu\u1ea3 A la h\u00e1n.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>148. Chachakka Sutta &#8211; The six sets of six<\/B><\/FONT>.\n      <P>An especially profound and penetrating discourse on the contemplation \n      of all the factors of sense experience as not-self. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      S\u00e1u b\u1ed9 s\u00e1u. <\/B><\/FONT>\n      <P>M\u1ed9t b\u1ea3n kinh h\u1ebft s\u1ee9c th\u00e2m th\u00fay s\u00e2u xa d\u1ea1y c\u00e1ch qu\u00e1n m\u1ecdi y\u1ebfu t\u1ed1 thu\u1ed9c \n      kinh nghi\u1ec7m gi\u00e1c quan <FONT FACE=\"Times New Roman\">\u0111\u1ec1u l<\/FONT>\u00e0 phi ng\u00e3.<\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>149. Mah\u00e0sal\u00e0yatanika Sutta &#8211; The great sixfold base<\/B><\/FONT>.\n      <P>How wrong view abou the six kinds of sense experience leads to future \n      bondage, while right view about them leads to liberation. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      S\u00e1u x\u1ee9 l\u1edbn lao. <\/B><\/FONT>\n      <P>Th\u1ebf n\u00e0o l\u00e0 t\u00e0 ki\u1ebfn v\u1ec1 s\u00e1u lo\u1ea1i kinh nghi\u1ec7m gi\u00e1c quan s\u1ebd\n      <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u0111\u1ebfn tr\u00f3i bu\u1ed9c v<\/FONT>\u00e0 ch\u00e1nh ki\u1ebfn v\u1ec1 \n      ch\u00fang s\u1ebd <FONT FACE=\"Times New Roman\">\u0111\u01b0a \u0111\u1ebfn gi\u1ea3i tho\u00e1t.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>150. Nagaravindeyya Sutta &#8211; To the Nagaravindans<\/B><\/FONT>.\n      <P>The Buddha explains to a group of brahmin householders what kind of \n      recluses and brahmins should be venerated. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>\n      N\u00f3i cho d\u00e2n ch\u00fang Nagaravinda<\/B><\/FONT><P>Ph\u1eadt gi\u1ea3ng cho m\u1ed9t nh\u00f3m gia ch\u1ee7 \n      b\u00e0 la m\u00f4n bi\u1ebft h\u1ea1ng sa m\u00f4n b\u00e0 la m\u00f4n n\u00e0o <FONT FACE=\"Times New Roman\">\u0111\u00e1ng \n      cung k\u00ednh.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>151. Pindap\u00e0tap\u00e0risuddhi Sutta &#8211; The purification of almsfood<\/B><\/FONT>.\n      <P>The Buddha teaches Sariputta how a bikkhu should review himself to make \n      himself worthy of almsfood. <\/I><\/TD>\n      <TD WIDTH=\"50%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><B><FONT COLOR=\"#00007f\">S\u1ef1 \n      l\u00e0m s\u1ea1ch <\/FONT><FONT FACE=\"Times New Roman\" COLOR=\"#00007f\">\u0111\u1ed3 \u0103n kh\u1ea5t \n      th\u1ef1c. <\/FONT><\/B>\n      <P>Ph\u1eadt d\u1ea1y X\u00e1 l\u1ee3i Ph\u1ea5t m\u1ed9t t\u1ef7 kheo n\u00ean qu\u00e1n x\u00e9t nh\u01b0 th\u1ebf n\u00e0o\n      <FONT FACE=\"Times New Roman\">\u0111\u1ec3 l<\/FONT>\u00e0m cho m\u00ecnh x\u1ee9ng\n      <FONT FACE=\"Times New Roman\">\u0111\u00e1ng v\u1edbi th\u1ef1c ph\u1ea9m xin \u0111\u01b0\u1ee3c.<\/FONT><\/TD>\n    <\/TR>\n    <TR>\n      <TD WIDTH=\"55%\" VALIGN=\"TOP\" BGCOLOR=\"#F0FFF0\"><I><FONT COLOR=\"#7f0000\">\n      <B>152. Indriyabh\u00e0vana Sutta &#8211; The development of the faculties<\/B><\/FONT>.\n      <P>The Buddha explains the supreme development of the control over the \n      sense faculties and the arahant&#39;s mastery over his perceptions. <\/I><\/TD>\n      <TD WIDTH=\"45%\" VALIGN=\"TOP\" BGCOLOR=\"#FFFFFF\"><FONT COLOR=\"#00007f\"><B>S\u1ef1 \n      tu t\u1eadp c\u00e1c gi\u00e1c quan. <\/B><\/FONT>\n      <P>Ph\u1eadt gi\u1ea3i th\u00edch c\u00e1ch tu t\u1eadp t\u1ed1i th\u01b0\u1ee3ng l\u00e0 ki\u1ec3m so\u00e1t c\u00e1c gi\u00e1c quan v\u00e0 \n      l\u00e0m ch\u1ee7 c\u00e1c t\u01b0\u1edfng (nh\u1eadn th\u1ee9c) n\u01a1i v\u1ecb A la h\u00e1n.<\/TD>\n    <\/TR>\n  <\/TABLE>\n  <\/CENTER>\n<\/DIV>\n<hr>\n<blockquote>\n  <p align=\"center\"><font face=\"Times New Roman\"><strong>[<a href=\"trung-gg-idx.htm\">Tr\u00edch \n  gi\u1ea3ng Trung B\u1ed9<\/a>][<a href=\"..\/index.htm\">Tr\u1edf v\u1ec1 trang Th\u01b0 M\u1ee5c<\/a>]<\/strong><\/font><\/p>\n  <p align=\"center\"><i><font size=\"2\" face=\"Times New Roman\">last updated: \n  21-07-2005<\/font><\/i><\/p>\n<\/blockquote>\n\n<\/body>\n\n<\/html>\n<!DOCTYPE HTML PUBLIC \"-\/\/IETF\/\/DTD HTML\/\/EN\">\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-778a68a elementor-section-full_width elementor-section-content-space-between elementor-section-height-default elementor-section-height-default\" data-id=\"778a68a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-18966bf\" data-id=\"18966bf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cc5c3f4 elementor-widget elementor-widget-text-editor\" data-id=\"cc5c3f4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p>\t\t<div data-elementor-type=\"section\" data-elementor-id=\"29369\" class=\"elementor elementor-29369\">\n\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-263b597c elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"263b597c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-134cd20d\" data-id=\"134cd20d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6bcd0b6 elementor-widget elementor-widget-text-editor\" data-id=\"6bcd0b6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p>T\u00ecm hi\u1ec3u Kinh t\u1ea1ng Nikaya &#8211; T\u00e2m h\u1ecdc l\u00e0 cu\u1ed1n s\u00e1ch Online gi\u1edbi thi\u1ec7u v\u1ec1 b\u1ed9 kinh Nikaya , c\u00e1c b\u1ea3n d\u1ecbch v\u00e0 ch\u00fa gi\u1ea3i \u0111\u01b0\u1ee3c T\u00e2m H\u1ecdc so\u1ea1n t\u1eeb c\u00e1c ngu\u1ed3n \u0111\u00e1ng t\u00edn c\u1eady tr\u00ean m\u1ea1ng internet.<\/p><p>Tuy nhi\u00ean \u0111\u00e2y v\u1eabn l\u00e0 s\u00e1ch ch\u1ec9 c\u00f3 gi\u00e1 tr\u1ecb tham kh\u1ea3o , mang t\u00ednh ch\u1ee7 quan c\u1ee7a t\u00e1c gi\u1ea3&nbsp; T\u00e2m h\u1ecdc.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Home Ph\u1ea7n I\u00a0 &#8211;\u00a0 Ph\u1ea7n II\u00a0 &#8211;\u00a0 Ph\u1ea7n III Trung Bo Tom tat &#8211; 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